Watching Suicide Squad to complete the rewatch. Funny because there are individual scenes, characters, and lines I like, things I’d wish were changed or added. It’s a disjointed experience unlike the other films. More like reading a DC comic and picking out here’s the favorite pages and panels, here’s the pages i gloss over or ignore.
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The best cover for Bruce Wayne would be dumb carefree playboy who is also Instagram Optimistic, everyday he’s posting a selfie of his smiling at his breakfast with a caption like “it’s a waffle day! #goodvibesingotham #grateful” or a picture of a sunrise with a caption that’s just “wow #blessed”
Bruce Wayne ending up as Gotham’s favoured son because he may be an idiot, but he’s a cheerful idiot, and he donates tons to charity and genuinely loves Gotham and actually, truthfully does put a lot back into the city. And his instagram is a bright ray of sunshine, and honestly there are a lot of people in the city who get surprisingly defensive of their Dumb Carefree Playboy because, okay, sure, every month or so Bruce Wayne falls off a yacht or sleeps with a reporter or whatever. The man clearly never met a healthy coping skill even once in his life.
But as far as news regarding Gotham’s prominent citizens go, Bruce’s ‘scandals’ are so normal that it’s downright refreshing. When a headline has ‘Bruce Wayne’ in the title, you know you’re either going to read some Celebrity Gossip level non-drama, or else something to do with a charity. Maybe he’s been kidnapped again, but that’s only happened a few times. Bruce Wayne news is like the Gotham equivalent to special reports about dogs who rescue their owners from drowning, or raccoons who’ve figured out how to get past the new self-locking garbage can lids.
And there’s something weirdly reassuring about following his twitter. Like, if Bruce Wayne is tweeting about a really neat old tree he just saw, things must at least be sort of alright.
(Meanwhile, Bruce’s social media persona is 100% him flanderizing Clark.)
It’s also the perfect cover for distracting gotham. Joker breaks out of Arkham? Penguin just exploded a giant squid downtown?
News would be covering Brucie’s swimming pool he bought exclusively for his ward’s dog, in a penthouse which cost millions, conveniently uptown from whatever’s happening. They bring two experts on air to discuss if extended chlorine exposure is bad for dogs.
(It isn’t)
And now, from the rewatch of Batman Vs Superman: Dawn of Justice (Ultimate Edition because I love myself):
Anyway they said the word “hope” like five hundred times in Man of Steel, not sure how anyone came away from this movie not knowing that’s what it was about.
And not just that, it showed a hero overcoming insurmountable odds, comprised of the last of his own species, to save an entire planet. It showed him overcoming self doubt and fear to do this. And it showed him come through all this with enough optimism to carry on fighting the good fight.
And it mentioned hope a lot… and people missed that.
So yeah I love Batman v Superman (Ultimate Cut) -with that one quibble- and I still tear up from the moment This is My World starts. It’s a long wait ‘til Justice League this weekend. I know it won’t be as good as BvS, and especially the music as I feared won’t be there to punch my emotions into overdrive but do the opposite (I honestly loathe the old 78 Superman theme and that it will be in the film, thanks for nothing, Joss and Danny.) But the end of a film trilogy always is.
Knightmare Batman sequence is still the only part of this film that, while understanding its necessity as a change of pace/action sequence for the middle of the film and yet another hammer of Bruce’s self-guilt paranoia outward projecting fears, and the epic foreshadowing for the Justice League movie, I still dislike it and how long it is. As a short Elseworlds film it’s great and visually lovely – but it’s the one point where I mentally check out until we switch back to time-travel oracle Flash, which I love.
Watching BvS UE now.
Unless someone requests, I won’t do a full liveblog update string of posts, but-
A Beautiful Lie is making me tear up already. This opening sequence is so damn good. Also compared to the Nolan’verse and Gotham TV show, I immediately noticed this version actually gave importance to Martha Wayne, that it wasn’t everything focused on Thomas Wayne, that she wasn’t passive victim. I didn’t know just how much narrative weight they were finally giving Bruce’s mother, but I noticed. This was right after I was really getting into Batman (via Under the Red Hood and Hush) and DC Comics in general, and I was seeing on-screen a Batman I recognized and embraced and loved. And then immediately noticing in an upcoming scene that hey, something’s wrong with Batman (the cops scene, where the teenage girls rescued from the trafficker are still afraid of Batman), instantly knowing that, yes, we are getting an arc about Bruce/Batman falling and becoming the thing he shouldn’t and therefore by the end he is going to crawl out of it with character development (Look, I’m a Jason Todd fan first before Bruce/Batman; I am here for critiques of the Bat!god)
Also, pet fanon theory disproved but wish it was true – Jack in the opening metropolis scene – how awesome would it be if that was Jack Drake?
Also first view theater turns to the person watching with me and whispering, “omg this is brilliant’ – the reveal of how kryptonite gets introduced into this universe. *standing ovation*
Diana delivered the killing blow to two of her villains, but people are still upset about Clark and Zod?
Evidently so. I have seen some people say it’s because Clark’s manner of doing it was more overtly violent so I guess the message is kill people but don’t do it in an obvious way. I imagine if he’d smiled or made a joke about it, it would have been alright.
Maybe Clark should have just waited and hoped that Zod would tire himself out or some deus ex machina would come along and make things easier for him. Apparently that’s what the REAL Superman would do.
I have long suspected that Clark was visable very upset about killing Zod, the whole mood of the thing was that it was terrible that it happened, so people came away finding that whole thing upsetting and deciding that it was because he killed despite the fact that heaps of other superheroes have killed but it wasn’t framed in such a way as to hit the audience as hard so they werem’t as upset by it on thse counts
That’s definitely a big part of it. People are also generally less precious about Wonder Woman not killing than they are Batman or Superman, for some reason. Possibly because Diana killing a male adversary can be spun as “girl power” or whatever.
But I think a large part of it in this instance is the narrative framing. Clark killing Zod is presented as tragic; Zod is a sympathetic villain and Clark clearly regrets having to kill him. Diana’s villains are more cartoonishly evil and she doesn’t show much emotion over killing them, so obviously the audience isn’t expected to either.
I never realized this but I don’t think I have seen another superhero movie where the hero is visibly upset that he had to kill the villain or that the villain died. Like in Iron Man the Iron Monger was like a life long friend of Tony and his parents but Tony still had no problem killing him at the end. Maybe Thor when Loki fell of the rainbow bridge in the first Thor film but honestly that’s it. Just another reason to love Man of Steel.
Another thing I noticed about superheroes killing villains in general is that the villain always tends to be sort of ‘dehumanized’ near the moment of their death and it is always done in a way that leaves no corpse behind so there is no evidence of the death. Ares is a good example where early on we see him as a human who attempts to influence Diana into joining him, but when she refuses, her puts on armor that obscure his face and he dies in an explosion that vaporizes him. Same thing happened in GOTG Vol 2 with Starlord’s father. During the emotional scenes he is in his human form, but when he is revealed as the villain he turns into the planet itself and he also dies in an explosion. Their characterisation also seems to be flattened at that point where early on they have depth, have understandable and even sympathetic motives, but the closer we get to the climax where they will inevitably ‘die’, the more they will start spouting generic villain lines like ‘I will destroy you!’ and things like that, and the more they lose their ‘human’ features.
I think that sort of contributes to the reason why when villains die in superhero shows we don’t tend to feel anything, because they were made flat and dehumanized moments before. That is something that Man of Steel did not do with Zod, there was a body, and it was a physical act done by Superman’s own hands, not an explosion, or an energy blast, his hands.
Cats Domesticated Themselves, Ancient DNA Shows
This is my favorite cat fact
Like ancient humans looked at wolves and were like “I want that” and we got dogs
Ancient cats looked at people and were like “I guess I could tolerate these weird naked monkeys for food” and really, that haven’t changed all that much
Favorite quote
Dogs were selected to perform specific tasks—which never was the case for cats—and this selection for particular traits is what led to dogs’ diversification to the many breeds we see today.
“I think that there was no need to subject cats to such a selection process since it was not necessary to change them,” Geigl says. “They were perfect as they were.”
Cats have been, and always will be, perfect
Dogs *also* domesticated themselves.
https://phys.org/news/2017-07-dog-domestication-theories-wolves.html
The process of dog domestication was probably a “passive” process, they added.
Rather than humans actively taming wild wolves, it would have started with the animals approaching hunter-gatherer camps in search of food.
“Those wolves that were tamer and less aggressive would have been more successful at this” and more likely to befriend humans, explained the researchers.
Further reading:
Most likely, it was wolves that approached us, not the other way around, probably while they were scavenging around garbage dumps on the edge of human settlements. The wolves that were bold but aggressive would have been killed by humans, and so only the ones that were bold and friendly would have been tolerated.
Friendliness caused strange things to happen in the wolves. They started to look different. Domestication gave them splotchy coats, floppy ears, wagging tails. In only several generations, these friendly wolves would have become very distinctive from their more aggressive relatives. But the changes did not just affect their looks. Changes also happened to their psychology. These protodogs evolved the ability to read human gestures.
which is all coming from this famous amazing experiment:
https://en.wikipedia.org/wiki/Dmitry_Belyayev_(zoologist)#Belyayev.27s_fox_experiment
After over 40 generations of breeding, in short, Belyayev produced “a group of friendly, domesticated foxes who ‘displayed behavioral, physiological, and anatomical characteristics that were not found in the wild population, or were found in wild foxes but with much lower frequency….Many of the domesticated foxes had floppy ears, short or curly tails, extended reproductive seasons, changes in fur coloration, and changes in the shape of their skulls, jaws, and teeth.


