The Second of the Twelve

squirrelwrangler:

Final draft will be on AO3. Very annoyed that the distance the River Sirion travels under the Andram says three leagues but elsewhere conflicting entries put it at nine leagues. Ties into Chapter Eight of Release from Bondage.

Expanding on This list

  • The Second: Three Leagues

Dying was like the river.

Ethir’s family lived below the Gates of Sirion, down in the willow forest where the River Sirion met the River Narog. Ethir knew rivers, knew how to swim in their strong currents, how to paddle a coracle one-handed while netting fish, how to pole a laden barge upstream and avoid sandbars and strainers, and how to predict how the courses shifted in their banks every year like a cat stretching before a nap.

The River Narog was like an aunt to Ethir, a proud old woman with a voice that could be gentle or cutting as she brought him gossip down from the north and bragged about her lake as she stretched out green and lovely beneath his boat. He would run his hand across the surface of her water and feel ghost-like fingers thread between them. Herons would watch him from the riverbanks as he paddled the round coracle northward. On the Narog he never felt alone, even in his one-person craft. The river sang to him, promising her constant love and bounty, and Ethir always felt safe upon her currents. As a boy he assisted his family in porting goods on barges up the Narog to the overland road that led to the Crossings of Taeglin. Trade goods came down in barrels from Doriath, and Ethir’s neighbors had kin that would take some of the trade-wares all the way down to the Mouth of Sirion and up the coast to Círdan’s settlements, but Ethir’s family stayed on the rivers, the Narog most of all. The small streams that were her many daughters had been playmates for Ethir, yet in time he grew bored of them. He followed the river north to the new city nestled on her bank and found his calling as a ranger of Nargothrond. Dipping his feet into her cool waters, he spoke to the river of his accomplishments with the bow and sword, of his companions and new king. He thanked her for the promise of safety as he tracked and slew orcs with the river at his back, knowing he could escape if needed be upon her currents, that she would drown his enemies if he called to her for aid. He spoke of seeing Lake Ivrin and how it had been just as clear and sparkling as the river promised. Musically she answered him in the splashes against the canyon walls, the burbles over smoothened stone, and the cries of her waterfowl. She carried his contentedness down to his kin in the willow-meads of Nan-Tathren so they would not worry.

Sirion was not family. Ethir mistrusted that river. It was wide and twisting, deep and deceptive, heavy with the waters of six other mighty rivers before joining the Narog. It carried the shadows and mists of the dark ancient forests the river had traversed and the sheer cliffs of two mountain ranges it divided. Secrets flowed through Sirion, twisting it twice into fens. It was a river that cared not to speak to Ethir, ignoring all elves that floated upon it. Its voice was too deep and layered to understand, plunging ever faster through Beleriand to reach the sea, its mouth empty but for the lonely sea-birds and a few sailors that dared its estuary. Ethir spent one summer with the March-wardens learning to ply the hidden ferries among the reeds of the Aelin-uial. Well-named had been that marshland, for even high noon hung muted by mists as to feel as dark and unwelcoming as twilight. A boy grown to manhood among twisting flood-meadows of the willow forests, still Ethir never felt secure in the Aelin-uial. He panicked often, would fall into the mere and flail his limbs as if he had never swam before, flinched at every croak of frog or hooting call of owl. Sound twisted along its branching currents, stilled into sinkholes and brackish pools, and ran swift and snake-like where least expected. In the Aelin-uial the River Sirion became like Nan Elmoth, ensnaring the unwary and wary alike. Only the roar of the falls to the south stayed constant in that bewitched place. Ethir approached the falls once, under the supervision of one of the king’s March-wardens, watching the great white plumes float up from where tons of water fell screaming into the earth and disappeared. The sound was dreadful. Close to the falls no other noise could compete against it, not even the horns of Ulmo. Only when the wind blew just right could Ethir see the black pit that swallowed the white spumes. Specially crafted barrels could survive that plunge and the underground caverns to reemerge at the Gates of Sirion, but few living things did, and no boat would chance it. Ethir returned to fens above the falls, learning how to navigate the marshes and walk across the half-submerged brown moss. A sense of abandonment hung damp across his skin, the callousness of a land that sang for no elf’s pleasure. It had been a miserable summer. Even at the start of the marshland where the River Aros joined the Sirion and began to spread into a land of mists and reeds, Ethir felt the bellow of the thundering waterfall. Memory reverberated terror in tempo with the falls. He never returned.

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The First of the Twelve

squirrelwrangler:

Expanding on This list

  • The First: The Bull and the Tides

Arodreth blamed his old age for his bull-headed stubbornness. He was not of the first hundred and forty-four to wake in the starlight of Cuiviénen, but others forgot he did not count among Unbegotten, for he was old enough to remember the Great Journey. He could recount for everyone the climb over both mountain ranges, the great river that lay between them, and the terror that the initial encounter with the sea had given him. Despite the touch of Ulmo

in his mind

to quiet that fear of the vast roaring ocean, Arodreth did not forget.

Ulmo could take awake the fear, but the Vala could not erase the memory of that first impression.

With stubborn contrariness Arodreth avoided the ocean, staying inland where the sound of waves could not reach him. Like any of his tribe, he loved water and the music created by waterfalls and rivers, but the great sea he mistrusted. The old elf had no desire to cross the ocean, so when King Elu disappeared, he gladly attached himself to the search parties that stayed. He

dug his heels into the shore and bade good riddance to the last leg of the journey. When the king returned with a new queen at his side, Arodreth was content to sacrifice the chance to see the light of the Two Trees if it meant never seeing the sea.

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dc-vertigo-squad:

mrdsc1010:

dc-vertigo-squad:

More weird Thor reviews.

So according to critics, Shakespeare is bad now and as long as you distract people from a bad plot and character with flashy lights and silly humor, your film can succeed. Wtf?

The Shakespearian feel from first two movies were their biggest selling points and now that’s a bad thing? I just can’t get with this concept of sacrificing x, y, and z for humor.

Not to mention the Shakespearean feelnis the fucking point of Thor as a character. They just made A Guardians movie with Thor in it. It makes me worried that If they make another Captain America movie he’s gonna go to space and be making jokey jokes with aliens and acting like an idiot. From what I’ve seen from the trailers of this film they have made Thor a complete idiot. And I mean he wasn’t the smartest of the avengers but jeez he wasn’t an air headed idiot either.

rencat replied to your post:
POV!

WHY DID I COME BACK FOR MORE SUFFERING!??

….look, I don’t know what to tell you. It took me a while to be honest with myself, but as an author I tend to have three dials and I run through those settings: slice-of-life sweetness, sarcastic levity, and angsty horror, trying my best to end on notes of bittersweet and either fridge horror or fridge hope. (Release from Bondage, for instance is slice-of-life inside a horror setting with an end goal of perfect romantic movie no-more-pain-what-so-ever ending). Is that last dial the one my thumb lands on the most? Probably.

I mean, hey- I just confirmed for y’all that Mahtamë will be reunited with the husband she thought lost forever. 

bigscaryd:

prokopetz:

rainylainysunnyspirit:

prokopetz:

Concept: you know how most media depicts Tolkien-style elves as being super jaded by immortality?

What if it was the opposite?

Like, you have stories where a sad thing happens and an elf cries for a hundred years, or where courtships last for decades, or what have you. Let’s run with that: part of the whole immortality deal is that elves’ emotional responses don’t attenuate as readily as humans’ do.

New relationship? The “heady infatuation” stage lasts for years, not months.

Heard an awesome song? Hearing it for the hundredth time is just as moving as hearing it for the very first.

Favourite food? Eat it for every meal and never get sick of it.

Basically, what I’m saying is imagine elves being really, really annoying because they respond
emotionally

to everything like they’re experiencing it for the very first time, even when you know they’ve seen it a thousand times before.

In addition to this: what we would conceive as ‘fads’ they get really into.

Like, a fashion trend kicks off and instead of moving onto the next big thing, elves make it The Only Way to Dress. As great as this is for mortals who love retro clothing, imagine Crocs and silly bands being popular for a century. Adult elves who still sit around trying to persuade their friends to trade a giraffe band for what they swear is a phoenix but is really a regular bird.

This doesn’t just apply to clothing so have some elves who never grew out of their scene phase. Emo elves who seriously introduce themselves as Ebony Dark’ness Dementia Raven Way or some similarly overwrought name.

Humans don’t know whether to be fascinated or amused at it all.

Humans think there are different subspecies of elves, but really they’re just different factions of incredibly devoted trendsters.

This is not exactly Dragaera, but there are certainly elements.

I could dig up the relevant quotes from “Arthabeth Finrod ah Andreth”, but this is strongly implied if not outright canon – that the very human trait of growing bored of something is something elves find very human and a bit incomprehensibly weird.

rencat replied to your post : Dreadful Wind

NOOOOOOOOOO!!!!!!!

Yes, this IS the exact reaction I was looking for.

Alako- and Imin and Iminyë- were always loose ends I needed to address with my proposed backstories for the Kings of the Elves. Some solutions I could hand-wave or found a resolution that worked. Alako was refusing to appear in any Valmar setting or when I decided Imin (and a separate Iminyë) would be reborn just in time for the War of Wrath. And thinking of Dowager Queen Former Huntress Mahtamë- she wanted an answer. And I’ve been writing the Oromë waging war on the Dark Hunters – it came to me, the perfect answer of exactly what and where Alako was, the story of their reunion. And by writing both sides, I had the perfect answer to the POV switch prompt.

rencat replied to your post:
POV!

Ermahgod, I love it and that I remember them hehe

It’s Final Fantasy VII, so it was lots of Tifa Lockhart love and fans’ character analysis and how to translate as much of it over into Tolkien while not loosing what makes her while making something interesting enough for a Silm story. And hey, surprisingly it worked even for non-FFVII savvy people. (my worry with fusions like these. Is it enough from the base character to satisfy? Will those unfamiliar with the character root still be interested?)

I like my spear-carriers, what can I say?

UGHHH. Heard the other Danny Elfman soundtrack piece (”Friends and Foes”) that’s been released- with a BLATANT Superman ‘78 part. And just… the score so far sounds very …meh and leaning SO HEAVILY on old 90s Batman and now this. Like, if this was a soundtrack for a piece celebrating a multiverse/all the various film versions of DC characters, sure. But this is not more than one continuity, it’s not like say Star Wars where you want/nay need to keep the original trilogy themes, not even Kelvin!verse Star Trek where the universes are connected, and it is SO JARRING. I had to stop the track and I’m going to stop myself from listening to any more of the score pre-release. I know BvS’s Batman theme took a long time for me to fall in love with it, but I did, and I loved Man of Steel’s theme from the get-go and really really appreciated that musically they weren’t copying themes that didn’t fit. Like this. The one thing I feared most. Gaddam, I have been nothing but hyped for this film and here’s the bad apple to sour the barrel.