I’m also delighted to be back in Silm fandom for a bit – let’s hope it lasts a while! And OII is definitely doing a lot! I’m mainly reading for seeing Orome + the Elves and the trip to Aman etc. in fic, but I do love the glimpses of life at Cuivienen and how the early Elves lived. I know what you mean about fics that try to do everything, mind you…

Which is hilarious because when I thought of this fic, my focus was (and still is tbh) a textbook dry setup of what the lifestyle of the earliest of elves were- and then Ingwë post Oromë meeting and roadtrip to Aman having to duke it out with Imin. But having committed to my plot and making that cardinal sin of zooming the narrative down to the actual individual characters instead of the broad overview, well… the readers want that meeting with Oromë, the interactions with Oromë, the trip to Valar, the ‘oh geez I’m going to have to write the meetings with Manwë and Varda help me I can’t do them justice’ panic.

And to think, this was a ‘Look, if you’re going to be jerks about Indis having a name that just means Bride (which, you’re wrong), then here’s why that isn’t demeaning but a praise and appropriation of the awesomeness of Nessa’ plus a ‘Ingwë =/= Imin and btw the Vanyar are both cooler and more kick-ass than all the other elves’ spite fic. Most of my fics can be boiled down to what item of spite motivates them. This one also got the spite of ‘Valar aren’t awful’ and ‘more neolithic and bronze age fantasy, more Gear and less Auel, and I can’t believe I had to resort to Zahn, i’m writing it myself

I identify with this way too much. I try to remind myself that imperfect, archaeologically inaccurate fic is better than no fic and often those are the two options. (And no, I don’t read OII for accurate portrayal of sheep farming! :P)

I’m over the moon, btw, to see you’re back on my dash with an interest in the Silm (And I KNOW that cycle of fandom coming back from nowhere to grab you again). it’s motivation.

OII is such a weird fic, because I don’t know what its strengths as a story are for readers and what aspect I want to focus on at a given time- the big picture anthropology foundation of societies, Ingwë’s inner thoughts, describe the Vala, prequel set up for as many of my other fics as possible~

But that the segment before Ingwë’s is a detailed scene inspired by an artifact in a Time Team episode and the one after that is ‘heget is WAY TOO passionate about the domestication of dogs’, it’s a glaring contrast in having at least a piece of petrified wood to stand on versus free-falling in the bog. 

Ironically- I know for Ingwë’s segment what the correlation to the overarching thematic characterization progress should be- and that’s a general weakness of mine, to actually plot out what a character’s internal character growth should be (I write flat characters. I admit that).

headspacedad:

smolsarcasticraspberry:

We need to talk about Voltron’s ableism

In the aftermath of S7 I’ve seen a lot of discussion about
the way the show queerbaited audiences and then buried all the gays, and that
discussion is important and needs to happen, and I think there’s a valid conversation
to be had about how the show handled LGBT+ rep. But in the noise about queer
representation, other issues are at risk of being lost, and it is important
that we talk about how VLD utterly mistreats disabled, traumatised, and/or mentally ill
characters
. Particularly in reference to how they treat Shiro, and how
his arc throughout the show has been handled.

Representation of
disabled/traumatised/mentally ill (DTMI) characters is incredibly important
.
Like any marginalised group, DTMI fans benefit from seeing characters like us
represented in positive ways. Society is full of incredibly shitty messaging
about DTMI people: we are portrayed as burdens on those around us, or incapable
of living fulfilling independent lives, or unlovable, or unworthy of friendship
and companionship. Society at large has a huge problem with treating DTMI
individuals as a source of ‘tragedy porn’ for able-bodied, neurotypical
audiences, where viewers get to experience pity and a sense of ‘thank goodness that’s not me’ relief at
the thought of someone suffering over and over again. Trauma is often viewed as being irreparably damaging, so that once
someone has experienced trauma they are portrayed as ‘damaged goods’ and
fundamentally broken beyond repair. Narratives in which DTMI characters overcome
their struggles and go on to survive and thrive and be happy and fulfilled are therefore incredibly important and
powerful and meaningful
. We need
these stories. And in VLD and Shiro, we thought we were going to get one.

The first two seasons of VLD seemed to set up a narrative in
which the most prominently DTMI character was going to be treated right. Shiro went through a significant
trauma (abduction by aliens, non-consensual amputation of a limb, torture) and
emerged with a physical disability (requiring the use of a prosthetic) and a
mental illness (PTSD, flashbacks, panic attacks, anxiety etc.). And he was the team leader. He was
picked out by the mystical Lions to lead Voltron, the Defenders of the
Universe. Despite everything he had been through, Shiro was not shuffled to the
sidelines or marginalised in the narrative – he was front and centre. He was
the awesome leader everyone looked up to. He was powerful and had agency and
got to make his own choices, and he was happy and excited about his role. The
narrative seemed to be one in which Shiro
was able to move on and heal from his trauma by embracing a new role and
identity as a Paladin of Voltron
; a role that made him feel powerful and
important, and that allowed him to make a meaningful difference in people’s
lives. But he also got to have friends: the rest of the team, who looked up to
him and admired him.

For a DTMI character to be the one person everyone admired
and idolised as the hero of the team was incredibly powerful and meaningful,
and I know a lot of DTMI fans took inspiration from Shiro to keep fighting our
own battles and pushing through our own struggles. The set-up in S1-2 gave us hope that Shiro would remain a central part
of VLD’s narrative, and a central part of the Voltron Team
. That was important
– that he remain the leader of Voltron – because the show is called
“Voltron: Legendary Defender” and the Voltron Paladins will always be viewed as the main characters,
and they will always take centre stage in the story. Furthermore, the storyline
in which Shiro bonds with the Black Lion became, to many fans, a powerful
metaphor for healing and recovery. By bonding and connecting with Black, Shiro
was able to break Zarkon’s hold over her and free her from her abuser. By
stealing back the black bayard, Shiro was able to make both the Black Lion and
himself whole again, and forge a new identity for himself: Black Paladin,
leader of Voltron, defender of the universe. It felt like a triumphant moment,
and the beginning of a new chapter for Shiro and Black to move forward
together.

And then Shiro
disappeared
. And the show has treated him like absolute garbage ever since.

To be honest, the treatment of Shiro has always carried the
vague undercurrent of “how many ways can we find to hurt him”, but in
the first two seasons it was easy to overlook this because Shiro was narratively rewarded for the struggles he went through.
Yes, bad things happened to him, he got tortured by Sendak, he had to fight
Zarkon’s control of his Lion, he got zapped and electrocuted… but
he was the leader and the Black Paladin
. He was given something back: a
Lion that he loved and bonded with and enjoyed flying; a team that looked up to
him; friends and found-family around him who cared about him and reaffirmed his
role and his importance: “You mean you’ve got your bayard.” “You
are the Black Paladin now, not Zarkon.”

But since S3 onwards, Shiro’s treatment has descended gradually
and inexorably into full-blown tragedy porn
. By S7 we reached the point
where it feels like his only role in the narrative is to suffer and hurt and
have things taken away from him. It’s like the showrunners think that because
he’s already been through one trauma, he’s damaged goods and can never heal –
so you might as well keep hurting him, keep taking things away from him and
making him suffer, because there was never any hope for him to be happy anyway.
He’s the traumatised broken soldier and he can never be anything else.

Let’s take a look at how Shiro (and Kuron, Shiro’s clone)
have been treated since he disappeared at the end of S2, so you can see what I
mean by the descent into utter fucking shittiness:

Keep reading

@voltron and @dreamworksanimation

because this is better written than anything I could and it needs to be stated as clearly as this so the point is completely understood.

Look, I’m just going to fake all the sheep farming bits for this chapter because I can handwave this as the first attempt and like any experiment the first time is a mess. Don’t tell my FFA Ag kids, because while I can and did go into way too much detail and focus with canine domestication … screw it with the sheep. This chapter is several months overdue, and I’m too worried about the wrong details to write this scene.

rose-of-the-bright-sea:

Dírhaval plucked absently at his lute, repeating the words over in his mind, trying to force them into rhyme. His mind was sluggish in the heat. Under the midday sun, Túrin’s bravery and misery melted from his imagination. The stars served for better inspiration.

Dírhaval groaned and set aside his instrument. The grime was to thick to ignore, after all. He stripped off his shirt and made his way to the water basin, splashing the warm water against his skin.

“Whoa. You look like Atto!”

Dírhaval jumped, startled by the little voice. He spun to see a boy, golden-haired and bright-eyed, standing between Dírhaval’s hanging laundry. Dírhaval reasoned that the boy had playing in the woods and gotten turned around — few wandered from the main camp. One of the Gondolindrim, given the Quenya.

“And I presume your father is dashingly handsome?” Dírhaval asked with a grin. He glanced over the boy’s head in search of a guardian.

“That’s not what I meant,” the boy said. His eyes went wide a moment later and a fierce flush spread across his cheeks. “No, wait! I just meant… Please stop laughing, sir. My father has hair like that. Are all men that hairy?”

My father, Dírhaval thought, suppressing his laughter. That didn’t make sense. The Gondolindrim were all of the Firstborn, most either of the Sindar or the Noldor. Well, except for—

“You are Túor’s son?” Dírhaval asked quickly. “Eärendil the peredhil?”

The boy regarded him at arm’s length, perhaps wary of a stranger who could guess his identity.  Dírhaval cursed his bluntness and tried again.

“Forgive me, lad,” he said, then extended a hand. “My name is Dírhaval, Bar Hador.”

“The House of Hador?” Eärendil’s voice lifted. “Really?”

“Aye, my grandfather fought beside Hador Lórindol at Dagor Bragollach,” Dírhaval said.

“That’s my grandfather’s grandfather!” Eärendil boasted. He stepped forward and took Dírhaval’s hand, shaking it awkwardly. Perhaps Gondolin had used a different greeting. “I am Eärendil, Bar Hador.”

Dírhaval grinned. “Now tell me, lad, what brings you out here? Surely your lady-mother did not ask you to hunt mushrooms all on your own?”

“You can hunt mushrooms?” Eärendil asked.

“That’s what they tell me,” Dírhaval said with a shrug. “But it was not my real question.”

Eärendil pouted. He was painfully out of place in Dírhaval’s sparse camp. The boy was dressed in a fine silk tunic, dyed a bright lilac. Could the peredhil sweat? The boy didn’t seem to be bothered by the heat, much like his elven kin.

“I… I wanted to trick my guards,” Eärendil admitted. His eyes were fixed on his sandals. “But I’ve gotten lost.”

“Fortunately, I know the way back to the camps,” Dírhaval chuckled. He grabbed a fresh shirt from the clothesline. It wasn’t silk, but better cotton than shirtless.

“Why do you live out here?” Eärendil asked as they started walking. “Ammë says it’s dangerous at night.”

“If I was farther out, it might be,” Dírhaval admitted. He slowed his pace as Eärendil scrambled up a fallen tree, then began to hop across its length. “I usually stay with the main camp, but I thought the quiet might help with my work.”

“Your work?”

Eärendil leaped over a cracked branch, then jumped onto a nearby boulder. Dírhaval considered stopping him, but the boy seemed surefooted enough. Besides, Dírhaval had heard his sister complain enough about royal tantrums. He had no interest in experiencing one for himself.

“I am a poet,” Dírhaval explained. “I am writing about your father’s cousin, as a matter of fact.”

“Cousin?” Eärendil repeated. He cocked his head. “My father has a cousin?”

Dírhaval’s surprise was short lived. Of course he doesn’t know, Dírhaval chided himself. Túrin’s fate would not have made it to Gondolin, and there were more urgent matters for Túor to attend in Sirion. It was not his place to tell Eärendil a story that his lord-father might still be unaware of.

“It’s a sad story,” Dírhaval said simply.

“So he died.”

Eärendil was ahead of him, standing on an old stump. He turned to Dírhaval for confirmation.

“Why do you say that?” Dírhaval asked slowly.

Eärendil shrugged. He hopped off the stump as Dírhaval caught up. “Every time someone tells a sad story, it ends in death.”

“They tend to do that,” Dírhaval admitted. 

“I guess. But Atto says the happy stories end in death, too. At least when they are about men. He says Haleth and Bëor and Malach all died, but their stories are still happy.”

Dírhaval hummed in contemplation. He could hear the din of the main camps and the soft washing sound from the sea.

“And what do you think, princeling?”

“I think,” Eärendil said, slowly choosing each word, “Atto is right. If stories are sad because someone dies, then the Secondborn can only have sad stories.” He nodded at his own answer. “We don’t only have sad stories, do we Dírhaval?”

“No,” Dírhaval agreed. “We have our share of happy stories, too.”

mikkeneko:

downtroddendeity:

I’m halfway into the first Miles Vorkosigan book, and so far it’s basically been “How to DM Around a Diplomancer: Space Opera Edition.”

Miles: “I tell the mercenaries I’m a mercenary commander and I bought up all their contracts from their captain, so they’re part of my company now.”
DM:
“Roll for Bluff. :)”
Miles, who has a higher Bluff bonus than most gods:
“34.”
DM: “They want to know when copies of the regulation handbook will be distributed and what the health insurance plan is like. (: (: (:”
Miles, sweating:UUUUUUHHH”

And of course there’s the patented Admiral Oser method of dealing with a charismamancer: Order your guards to throw him out the airlock and if he tries to talk, cut out his tongue.