Variant covers for New Super-Man #11 & #23 by Bernard Chang
Category: Uncategorized
I wanted to reblog this post about the first iron Man movie- in particular the ending line- because it was a great post and I agreed with everything, about the impact of that moment and how modernizing and fresh it was- until the dig at the DCEU movies. And I want to rebut it, but I’m not an active person in the superhero fandoms and not one of the vocal DCEU defenders (but I love everybody that is) and hadn’t seen any of them reply yet to it
so, yeah, that the DCEU movies kept the ‘superhero has a secret identity that that’s why they feel outdated because using this outdated concept/feel unreal unlike the MCU”. Well, by the end of Phase 1 and certainly getting into the later Avengers movies the MCU movies for me in absolutely no way feel ‘realistic’ – it feels like a ‘cartoon/comic book world’ and especially because the superheros feel isolated from the general public and outside media scrutiny- Civil War has been rightfully lambasted by people other than me. But in the DCEU, yes, the Justice League still have secret identities (but the villains don’t – see Suicide Squad). But in Man of Steel- it reverses what was a staple of Superman comics that lasted for 60+ years: Lois Lane knows Clark Kent is the Kryptonian Kal-El, knows his ‘secret identity’ before he even creates the persona of Superman. That might not be as earth-shattering a seismic story shift as “I am Iron Man”, but don’t pretend it wasn’t something very bold and updating an aspect that was universally mocked in pop culture and made the story feel ‘realistic’ and ‘logical’ the same way I felt the end of Iron Man did for me. And then BvS, one of the biggest themes of the movie is that because Superman doesn’t publicly expose that he does have a second life as a ‘normal human’, the media creates or shapes sometimes conflicting narratives of who he is and what his intentions are (that montage the ends with “but what if he’s just a regular guy trying to do the right thing?”). You really don’t have the media in the rest of the MCU questioning Iron Man and the others after they’ve revealed themselves, Chelsea the journalist disappears, never to challenge Tony Stark again. (And speaking of BvS and journalists challenging people in power, wanting to know if there’s been cover-ups of weapons in foreign wars, wondering who is this superhero vigilante and on what authority or public’s complicity allows him to be enforcer, judge, and jury, or even what the role of the public media is in deciding what stories are investigated and presented to the public …the Clark Kent and Lois Lane scenes are more as important as the costumed hero parts). And frankly, the role of media and politics in BvS is the most modern and relevant thing for today in a superhero flick.
Ugh. someone could articulate this better.
Hey Marvel: poverty exists because of power structures, not people, thank you very much
(Not actually spoilery, just discusses the basis of Thanos’ actions in the movie.)
They say a story is only as good as its antagonist, and I’d add, a story is only as good as the motivations of its antagonist. Black Panther was perfect because the motivations of Killmonger mirrored very real, very important issues of our world. The Winter Soldier worked because ‘we’re using an algorithm to analyze people’s internet activity to collect data about citizens and subtract all freedom from them’ is quite a familiar thing, so is white men in position of power disregarding others’ bodily autonomy and abusing them. In Iron Man 3 an American white man seeking profit convinced people that the enemy was a made-up islamic terrorist. In Thor Ragnarok Hela represented the militaristic past of a society that grew wealthy with imperialism – her motivation was literally death, but that mirrored the blood-thirst of imperialistic nations.
“I need to kill half the population because resources are scarce, there’s too many people so they live in poverty, if there were less people resources would be enough for people to live comfortably – but don’t worry, it’s not evil, because I’m going to kill with equality, rich and poor alike!” is a shit motivation, which utterly, incredibly misses the point of why poverty exists and how scarcity of resources works.
People aren’t poor because there aren’t enough resources for them. People don’t starve because there’s not enough food. (Before you argue, maybe that’s the case on other planets in the Marvel universe: stories exist for us on earth.) Resources aren’t scarce in themselves, scarcity of resources is artificial. It’s a matter of power, discrimination, profit, who has the weapons and controls the ways to manipulate people’s imagination. Of course, if half the planet’s population were to die suddenly (think of some dramatic event like the epidemic that killed a third of the population of Europe in the span of a few years), there would be some drastic consequences on the immediate term, but not necessarily positive for who survives. It’s no longer the 1300s – the economical issues aren’t the same, I’m not going to go in depth because I’m not an expert and I don’t want to say something wildly incorrect, but in short, the problem with our planet is not that not enough cereals pop up from the soil, it’s a deliberate devaluation of labor and non-privileged human life. That’s not automatically solved by diminishing the population, because labor does require less people than in the 1300s, so less people wouldn’t necessarily mean higher contractual power. But that doesn’t really matter, that’s not the point. The point is that “overpopulation” is a problem not in itself, but because of how resources are distributed, and that depends on power structures.
But Marghe, you could say, Thanos is the antagonist, so we’re supposed to assume that his ideas are bad. Yes, but the movie does never address why his ideas are bad other than a generic ~killing billions and billions of people might not really be ethically great, dude~. When he expresses his ideas, the characters just dismiss them as crazy, because killing innocents en masse is bad. No one really addresses the fact that less people doesn’t automatically mean more resources for the ones who remain, or that poverty isn’t the fault of people who suffer from it. Gamora argues that it’s better to be poor but ‘free’ and with your loved ones, but the idea is that your loved ones dying and an evil dude using you for his evil plans is bad, which is a pretty obvious concept and politically irrelevant.
What’s politically relevant is the unspoken concept underlying. The idea that poor people are poor (especially in certain areas of the world) because they make too many children, leading to overpopulation compared to resources, is very real and widespread in racist societies – a lot of Europeans, for instance, believe that ~Africans~ (as Africa is supposedly a homogenous place where people are automatically poor and children starve, and also neo-imperialism and neo-colonialism are not a thing, actually exploitation of African countries has never been a thing, right?) are poor because, forgive the crudeness, women won’t keep their legs closed and they make too many children. It’s their fault they’re poor, they’re stupid and won’t think that if they make too many new people they won’t be able to feed them! (I wonder where anti-contraception propaganda comes from, uh? Oh, wait) Even someone like Macron expressed that idea recently, despite France still draining money and resources from its former colonies. But nooo, it’s the Black people’s fault for being promiscuous and stupid.
So, yeah, your antagonist’s motivations suck, Marvel. Also, mind, it’s not a matter of the unrealistic-ness of magic stones or whatnot – I can make a suspension of disbelief for all the things in the MCU from Steve’s serum to vibranium technology to the Hulk to Asgard and gods and talking raccoons and all. It’s a matter of the underlying implications of the character’s motivations. From a merely logical point of view, halving the universe’s population won’t solve the universe’s problems, because the amount of people isn’t the problem. It just makes no sense – it would make sense if the narrative actually addressed it, if someone said ‘wait Thanos that’s not how things work’, but it doesn’t happen. What we’re left with is the idea that Thanos’ solution is not good (killing innocents=bad), we aren’t led to question his idea of where the problem lies.
My train of thought on hearing what they had changed Thanos’ motivations to be:
1) that is such a White Dude way to think
2) wait, the Russos actually thought this motivation would make him more sympathetic?
3) that is SUCH a White Dude way to think

Very early Swamp Thing illustration by Bernie Wrightson, 1972. This drawing was done right after Swamp Thing’s first appearance in House of Secrets #92 (June 1971) and prior to Swamp Thing #1 (October 1972). The quote is from Mary Shelley’s Frankenstein.
This is cool!

Project update: coat is nearly finished with only the ribbon trim and the front closures left. I added Starfire with her custom outfit for reference – this is the style of coat. Lining was a pain; going to use that blue for a matching skirt I think though. Have several tiny metal gears to add accents and make this coat a steampunk one – think that’s the route I’ll go instead of brass stars. Either way it’s a Wonder Woman coat. I tried a slightly different pattern idea for the hood and it’s a tad too small/back slit too high- overcompensated for Kori’s hood.
in which Sirius Black failed to Argue with a Hat, Part 7
All previous parts found Here.
Ignoring the rules works great,
once they figure out what rules you really can ignore. Fuck Gamp, anyway. Most
of those rules are bullshit. Golpalott is a bit more complicated, but he mostly
natters on about Alchemy. Sirius almost dismisses his rot entirely until
Regulus points out that Alchemy is changing one thing into another, and what
are they doing again?Fucking Golpalott. Sirius was happy
to avoid that shit until his N.E.W.T. years, but no, his little brother wants
to become an Animagus! Sirius gets to bash his face into a book because Golpalott
doesn’t know how to write things down in simple terms. It takes the arsehole
five pages to explain a concept that can be boiled down into one sentence.Then there is the other problem.

Waiting for God–
Lex Luthor on the helipad in BvS – trying something a bit different, because I love the lighting in this scene
aw i had a huge smile on my face reading the water lovin posts . one of my fantasies is that i don’t have to breath so i can dive and be surrounded by water for as long as i want 🌊🌊🌊
It’s a weird thing because I love the ocean at a distance, tbh – but that distance is not all that great. When both of your parents were officers in the navy, but neither in very nautical-like positions or roles, when the literature and heroic figures and poetry were more often than not that of sailors and the sea – if you ask me to name a poem, the first I will think of is the Rhyme of the Ancient Mariner, even if I don’t have lines memorized, yet still it is my prototypical platonic ideal of ‘concept of poetry’, when you never went fishing or played on the beach or swan in the ocean as a child, but that “seagull to pigeon ratio” and you know what the ocean smells like more than what a forest smells like, that yeah, the most terrifying place on earth is going to be the deep sea- and yet the most beautiful- that it isn’t ‘a great wave as tall and terrible as a mountain’, oh no- it’s that the mountains themselves are frozen waves sculpted in stone.
That I love the Edain, but it boggles my mind that Tuor would be the first of any of them to see the ocean, and thus I fell in love with him in those first read-throughs because he fell in love with that sea.
Also- no breathing removes only some sea terror, but is does sound like a fun thing to do. Also- anon, are you Tuor?
re: tags on last post
I’m not joking. Ya’know all those Space Australians jokes about how humans look at a dangerous apex predator and want to pet it? I see that spiral eye wall of clouds and my brain goes”awww, if only I could pet it”







