otakus-on-titan:
yavieriel:
squirrelwrangler:
Forgive me sister for I have sinned. It has been seven days since I last read manga.
Anyway this page came out of nowhere and punched me in the face, wow. He has…so many issues…and yet he is….SUCH A GREAT PERSON :’)))
That Aoshi guy seems like he’s gonna come back and have another go, I’m…not sure if I’m looking forward to that or not? It should be a good, well thought out fight (seriously I love how they think through the other person’s technique and how to counter it). But also Kenshin might get beaten up – or WORSE, he might get SAD D:
Gonna have to reply this way, if you don’t mind –
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I’m too tired to have coherent thoughts but needed to reblog this because MY BABY and YES THIS and also I really need to get a wig and drag out my Battousai!Kenshin cosplay again, I miss it
OKAY SO
(It’s Jess, I thought I ought to put this on my anime blog :P)
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Yay Jess – more replies 😀
RuroKen isn’t totally realistic, because yeah James Bond-y level action shuts and you’ll see some various styles/things and some super-villain esque level stuff – I mean, Jin’eh and his heart-stopping eyes isn’t totally realistic, but you believe and go with it, and that’s about as magical ki and abilities go. But things like Hannya’s optical illusion punches, yes. The author stays clever.
Sano is so great, and he does make this foil where he’s honest and straightforward, he has connections to the criminal underbelly from his street fighting days but it’s like deceit goes against his very core. IDK has to do with his backstory (that that the author goes into it, pulls out that black stain on the hero’s side), that he hates corruption and those in power and he’s not wrong to feel that anger (and this will pop up again) but that overarching theme of not being consumed by that anger or lashing out at the wrong targets, to work to improve lives and work through that survivor’s guilt (Good Lord, survivor’s guilt describes the underlying motive of a third the cast…)
Kaoru not fighting against Kanryuu (and getting pushed to the sidelines fight-wise) is definitely a common valid complaint and one of the weaknesses/bothers me compared to FMA and later works. It does get addressed and a bit rectified later and in other versions – the 90s anime had Kaoru go with Yahiko, and later around the time of the first live action movie the author went back and did this sort of an AU project that gave her more on-screen fights. And the author admits that Kaoru in-universe is one of the best kendo users, would sweep through any tournament – but that she’s surrounded by these inhumanly strong fighters like Kenshin and his enemies from the war. But her insight into their fighting styles, even if she can’t personally match their experience, doesn’t go away. And why I like the Tokyo-based arcs where we visit these other dojos and get a sense of Kaoru’s daily routines and the world she inhabits where the other teachers and students really respect her and her skills, even if she feels she’s only an assistant dojo master.
Yahiko – yeah he’s the kid appeal character, the substitute for the target audience (this was written w/ preteen boys in mind; it just happened to recent a HUGE secondary demographic), but that he isn’t the viewpoint character. The story does focus on Yahiko’s growth, physically as well and mentally, and it does by having Yahiko admire and learn from the rest of the cast – Kenshin, Sano, Kaoru, here are your his role models. And he grows on you, or at least did for me. I admit, I will forever hold a soft spot in my heart for the little brat that for all he teases Kaoru and doesn’t initially believe/respect her skills, he does become her earnest student (and Yutaro highlighting Kaoru-the-teacher and his cute crush on her and Yahiko’s seething jealousy). And that when the yakuza tried to shame him by taunting him about his mother becoming a prostitute, bless that little street punk for shouting back ‘so what? I’m proud of her, she did want she had to so we could survive’, that her sacrifice was equaled to a samurai death in battle.
Oh man, the Raijuta arc~ Tool is right. I love how in the author notes, Watsuki admits that the character started out supposed to be intimidating, but in the end was such a putz. Asshole too, but this poser.
Oooh, the next two in the volume is a another short arc I like and then the one-shot the author did before RuroKen. I love that one-shot so much, and it has a call-forward/easter egg to RK.
And yes, the live action doesn’t have absolutely perfect casting, but damn if a lot of choices weren’t perfect, especially translating to the screen, and the actor who played Kenshin was a big reason why and the music ~♥~ RuroKen has always had great music/acknowledged as superior soundtracks, the anime and live action both.