squirrelwrangler:

squirrelwrangler:

squirrelwrangler:

the visual cape p0rn in this movie dear god

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Keep reading

  • arguing the merits of genocide with a ghost – damn the dialogue is so good
  • “don’t leave me”- just everything in those scenes with Jenny, Perry, and Steve. I remember watching this in the theater and just..feels
  • the three plot threads of the battle have to narratively sink to the lowest part until Kal does his parting the Red Sea and stands up to the World Engine
  • “Krypton had its chance”
  • And here comes Faora
  • She is coming for Hardy
  • same, girl
  • (Phantom Zone adventures of Faora and Hardy – like even just a teaser of a rumor of the two of them fighting through Warworld off-screen in a hypothetical Green Lanterns space cop adventure film)
  • the dialogue everyone rags on but Lois’s ‘all downhill from here’ = ‘i’m cynical but with you maybe i can embrace hope’ and Clark’s ‘i’m an alien and i still don’t know what that means in the greater context of how i can interact with others who know my secret and the wider world’s acceptance/will you accept and embrace all of me?
  • ZOD
  • The handful of ashes
  • I exist only to protect Krypton
  • ;A;
  • And now I have no people
  • the horizontally oriented flight is also cool
  • hammering it home- Zod is going to kill all and any humans he can
  • ……And now he can fly
  • Look at all these hundreds of still standing skyscrapers
  • Wayne satellite
  • Did not understand that there was a hard no-kill rule for Superman and that this so very remorseful but necessary death (seriously, what cheap cop-out did they want?) would be so controversial. It’s a standard story point
  • Lois cradling Clark after that scream of anguish – oh gods ship it
  • is it because the story makes it clear this is a bittersweet victory for Clark?
  • If the character  felt it was more of a win, was not so shaken about Zod’s death, I feel paradoxically the audience would find it as controversial
  • this last flashback scene with Johnathon looking on proudly – my heart~
  • the last scene- clark on his bike, inspired by Lois, puts on the glasses
  • “Welcome to the Planet”
  • ha ha
  • i love you
  • both of you
  • and the writer
  • and this film

squirrelwrangler:

squirrelwrangler:

the visual cape p0rn in this movie dear god

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  • YOU THINK YOU CAN THREATEN MY MOTHER
  • and Zod’s wide eye crazy stares are now for a new reason
  • Guardian is a nice easter egg name
  • “three targets” – audience: oh shit
  • Oh Hai Pete
  • Faora wrekts him
  • the cape fling and then the kick with a leg trip
  • and clark has never physically fought anyone before
  • And Clark still saves the pilot that had just been shooting at him, honestly asks if he’s okay – how is this Superman an asshole?
  • Flash step Faora ♥
  • And now my favorite- the Faora/Hardy interactions
  • ‘A good death is its own reward’

..if my DVD would stop glitching

squirrelwrangler:

the visual cape p0rn in this movie dear god

  • the helplessness in Lois’s voice calling for them to help him as he collapses spitting blood because of the kryptonian atmosphere
  • “the name they gave you” – *grimace*
  • DREAM TEMPTATION SEQUENCE
  • “instrument of our damnation because our salvation”
  • crow calls = death symbolism
  • I HAVE A DUTY TO MY PEOPLE
  • Zod
  • Just, General Zod in this movie

squirrelwrangler:

squirrelwrangler:

squirrelwrangler:

annd something’s wrong with my dvd. oh thank god the glitching stopped.

Also – Perry is a GIFT

and now we’re getting to the Flight sequence. “Keep testing your limits”

  • world’s biggest grin
  • am i going to breach the upper atmosphere?
  • the wavering hand because he can’t quite control it yet
  • sober stand back up
  • the gravity floating rocks around the fist – like no wonder The Last Jedi copied it
  • zoom zoom around the world
  • then the joy of reaching up
  • the sonic boom as we/he leaves and back to Real Journalist Best Detective Lois Lane

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  • “Meteors don’t course-correct” – something about the delivery of that line i adore
  • the screeching of Zod’s broadcast
  • “an ocean of stars”
  • this is a better alien invasion horror movie than any War of the Worlds
  • sadly can never do Martian Manhunter a la New Frontier because it’d only repeat
  • Woodburn throws Lois under the bus
  • Pete Redeemed
  • oh man now I get Koe no Katachi/A Silent Voice parallels
  • “Did they hurt you? – Not what I meant” THIIISSS~~~ Clark’s vulnerabilities is his human heart

squirrelwrangler:

annd something’s wrong with my dvd. oh thank god the glitching stopped.

Also – Perry is a GIFT

and now we’re getting to the Flight sequence. “Keep testing your limits”

  • world’s biggest grin
  • am i going to breach the upper atmosphere?
  • the wavering hand because he can’t quite control it yet
  • sober stand back up
  • the gravity floating rocks around the fist – like no wonder The Last Jedi copied it
  • zoom zoom around the world
  • then the joy of reaching up
  • the sonic boom as we/he leaves and back to Real Journalist Best Detective Lois Lane

squirrelwrangler:

squirrelwrangler:

squirrelwrangler:

squirrelwrangler:

Re-watching Man of Steel – live blog thoughts:

  • The opening scene music- the entire soundtrack, is so good
  • i love the creative customization of opening logos – in this case Kryptonian writing in the same geometal gray.
  • Very prequel Star Wars space opera unique alien planet visuals opening shots and that appeals to my aesthetics
  • Zod. Zod is the standard I judge villains against
  • australopithecus-like skull for our SF Genetic Noah’s Ark? Yes
  • House of El citadel looks like an observatory
  • Lara has more to do and more agency in this movie than any other Superman media I was/am familiar with
  • Lara = Jochebed
  • The lines here from Jor-el and Lara
  • the Lex Luthor like power-suits Jor-el is wearing is hilarious
  • “Lara, abort the launch!” Followed by the biggest nonverbal ‘Fuck you, asshole, I don’t listen to you’ on-screen short of videotaping a cat
  • Faora’s pompadour
  • the shot of the Black Zero prison hovering down in the bright orange sunset is amazing
  • alien geometries is the cliche phrase I want to use to describe so much of the details behind Krypton
  • then the music shifts and the mourning and the sheer gall to show the destruction of Krypton from Lara watching it happen- no clinical distance watching Alderaan explode, we’re on the beach of Scarif to extend our SW metaphor
  • “where the hell did they find you, greenhorn?” ha ha
  • Shirtless on fire rescue intro
  • thank you for that
  • that the steel buckles beneath his feet – no sarcasm full heartfelt honesty – Thank you for that
  • And here’s the kid has a sensory overload (because he’s an alien with alien biology on earth)
  • this is such good basic SF and then even w/out the SF elements a parent helping their child
  • this stuck with me from the first viewing
  • corn fields forever, hello we’re in kansas
  • Pete Ross! Lana Lang!
  • the start of the heroic horns when the bus breaching the surface
  • What else did Clark do and how success or not have the Kents been trying to explain this away- because this bus rescue is only the latest in obviously a lot of events
  • was way more caught up in the fact that Johnathon brought up that wider world long-term philosophical and societal impacts that never get brought up/hand-waved aside for fridge logic afterthoughts than the “infamous maybe”
  • the way his voice breaks on proud on  ‘stand proud in front of the human race’
  • “You are my son”
  • fuck you
  • my heart

  • clark’s face when Ludlow shoves him. ‘Seriously, dude?’
  • still smile when sexual harasser gets his truck so beautifully, epically wrecked
  • And here’s Lois!
  • …waaay too many re-watches to catch Clark is the one grabbing those heavy bags
  • Lois and Hardy’s ribbing of each other is fun
  • Clark the OG Cryptid
  • that little head-shake to brush off the use of heat vision
  • the eerie undercurrent alien notes with the low booms – the soundtrack stresses this is an Alien SF movie and I love it
  • the camera shot of a hand holding an object and someone crawling up into frame from a hole (usually from a body of water) – I better get one of those shots in JL too
  • …we were all thinking it with the internal bleeding surgery scene

squirrelwrangler:

squirrelwrangler:

squirrelwrangler:

Re-watching Man of Steel – live blog thoughts:

  • The opening scene music- the entire soundtrack, is so good
  • i love the creative customization of opening logos – in this case Kryptonian writing in the same geometal gray.
  • Very prequel Star Wars space opera unique alien planet visuals opening shots and that appeals to my aesthetics
  • Zod. Zod is the standard I judge villains against
  • australopithecus-like skull for our SF Genetic Noah’s Ark? Yes
  • House of El citadel looks like an observatory
  • Lara has more to do and more agency in this movie than any other Superman media I was/am familiar with
  • Lara = Jochebed
  • The lines here from Jor-el and Lara
  • the Lex Luthor like power-suits Jor-el is wearing is hilarious
  • “Lara, abort the launch!” Followed by the biggest nonverbal ‘Fuck you, asshole, I don’t listen to you’ on-screen short of videotaping a cat
  • Faora’s pompadour
  • the shot of the Black Zero prison hovering down in the bright orange sunset is amazing
  • alien geometries is the cliche phrase I want to use to describe so much of the details behind Krypton
  • then the music shifts and the mourning and the sheer gall to show the destruction of Krypton from Lara watching it happen- no clinical distance watching Alderaan explode, we’re on the beach of Scarif to extend our SW metaphor
  • “where the hell did they find you, greenhorn?” ha ha
  • Shirtless on fire rescue intro
  • thank you for that
  • that the steel buckles beneath his feet – no sarcasm full heartfelt honesty – Thank you for that
  • And here’s the kid has a sensory overload (because he’s an alien with alien biology on earth)
  • this is such good basic SF and then even w/out the SF elements a parent helping their child
  • this stuck with me from the first viewing

  • corn fields forever, hello we’re in kansas
  • Pete Ross! Lana Lang!
  • the start of the heroic horns when the bus breaching the surface
  • What else did Clark do and how success or not have the Kents been trying to explain this away- because this bus rescue is only the latest in obviously a lot of events
  • was way more caught up in the fact that Johnathon brought up that wider world long-term philosophical and societal impacts that never get brought up/hand-waved aside for fridge logic afterthoughts than the “infamous maybe”
  • the way his voice breaks on proud on  ‘stand proud in front of the human race’
  • “You are my son”
  • fuck you
  • my heart