Hey Marvel: poverty exists because of power structures, not people, thank you very much

mikkeneko:

postmodernmulticoloredcloak:

(Not actually spoilery, just discusses the basis of Thanos’ actions in the movie.)

They say a story is only as good as its antagonist, and I’d add, a story is only as good as the motivations of its antagonist. Black Panther was perfect because the motivations of Killmonger mirrored very real, very important issues of our world. The Winter Soldier worked because ‘we’re using an algorithm to analyze people’s internet activity to collect data about citizens and subtract all freedom from them’ is quite a familiar thing, so is white men in position of power disregarding others’ bodily autonomy and abusing them. In Iron Man 3 an American white man seeking profit convinced people that the enemy was a made-up islamic terrorist. In Thor Ragnarok Hela represented the militaristic past of a society that grew wealthy with imperialism – her motivation was literally death, but that mirrored the blood-thirst of imperialistic nations.

“I need to kill half the population because resources are scarce, there’s too many people so they live in poverty, if there were less people resources would be enough for people to live comfortably – but don’t worry, it’s not evil, because I’m going to kill with equality, rich and poor alike!” is a shit motivation, which utterly, incredibly misses the point of why poverty exists and how scarcity of resources works.

People aren’t poor because there aren’t enough resources for them. People don’t starve because there’s not enough food. (Before you argue, maybe that’s the case on other planets in the Marvel universe: stories exist for us on earth.) Resources aren’t scarce in themselves, scarcity of resources is artificial. It’s a matter of power, discrimination, profit, who has the weapons and controls the ways to manipulate people’s imagination. Of course, if half the planet’s population were to die suddenly (think of some dramatic event like the epidemic that killed a third of the population of Europe in the span of a few years), there would be some drastic consequences on the immediate term, but not necessarily positive for who survives. It’s no longer the 1300s – the economical issues aren’t the same, I’m not going to go in depth because I’m not an expert and I don’t want to say something wildly incorrect, but in short, the problem with our planet is not that not enough cereals pop up from the soil, it’s a deliberate devaluation of labor and non-privileged human life. That’s not automatically solved by diminishing the population, because labor does require less people than in the 1300s, so less people wouldn’t necessarily mean higher contractual power. But that doesn’t really matter, that’s not the point. The point is that “overpopulation” is a problem not in itself, but because of how resources are distributed, and that depends on power structures.

But Marghe, you could say, Thanos is the antagonist, so we’re supposed to assume that his ideas are bad. Yes, but the movie does never address why his ideas are bad other than a generic ~killing billions and billions of people might not really be ethically great, dude~. When he expresses his ideas, the characters just dismiss them as crazy, because killing innocents en masse is bad. No one really addresses the fact that less people doesn’t automatically mean more resources for the ones who remain, or that poverty isn’t the fault of people who suffer from it. Gamora argues that it’s better to be poor but ‘free’ and with your loved ones, but the idea is that your loved ones dying and an evil dude using you for his evil plans is bad, which is a pretty obvious concept and politically irrelevant.

What’s politically relevant is the unspoken concept underlying. The idea that poor people are poor (especially in certain areas of the world) because they make too many children, leading to overpopulation compared to resources, is very real and widespread in racist societies – a lot of Europeans, for instance, believe that ~Africans~ (as Africa is supposedly a homogenous place where people are automatically poor and children starve, and also neo-imperialism and neo-colonialism are not a thing, actually exploitation of African countries has never been a thing, right?) are poor because, forgive the crudeness, women won’t keep their legs closed and they make too many children. It’s their fault they’re poor, they’re stupid and won’t think that if they make too many new people they won’t be able to feed them! (I wonder where anti-contraception propaganda comes from, uh? Oh, wait) Even someone like Macron expressed that idea recently, despite France still draining money and resources from its former colonies. But nooo, it’s the Black people’s fault for being promiscuous and stupid.

So, yeah, your antagonist’s motivations suck, Marvel. Also, mind, it’s not a matter of the unrealistic-ness of magic stones or whatnot – I can make a suspension of disbelief for all the things in the MCU from Steve’s serum to vibranium technology to the Hulk to Asgard and gods and talking raccoons and all. It’s a matter of the underlying implications of the character’s motivations. From a merely logical point of view, halving the universe’s population won’t solve the universe’s problems, because the amount of people isn’t the problem. It just makes no sense – it would make sense if the narrative actually addressed it, if someone said ‘wait Thanos that’s not how things work’, but it doesn’t happen. What we’re left with is the idea that Thanos’ solution is not good (killing innocents=bad), we aren’t led to question his idea of where the problem lies.

My train of thought on hearing what they had changed Thanos’ motivations to be:

1) that is such a White Dude way to think

2) wait, the Russos actually thought this motivation would make him more sympathetic?

3) that is SUCH a White Dude way to think

Finally saw Spider-man Homecoming. The pick up for date and subsequent car scene (aside from a narmy corny line that ruined it) was far and away better quality than the rest of the film, and the final credit scene that was a meta self-drag on the MCU and its end credits – though I could also see how it could be a mean-spirited take-that! to the audience itself. The web-swinging action and most of the cinematography was weaker than the other two versions of spider-man, the plot itself dragged without tension for almost all of the film, the characters weren’t interesting or damaged by lackluster writing decisions from previous films, have to say the crappy video phone footage of the airport parking lot fight, even as this cut-away gag, was more interesting and entertaining than the scene in CA:CW (Don’t try to defend that crap. Don’t.) Holland sounded like Teen!Peter but his actual character was flat and boring. Just…

Like, thank god for Black Panther.

But I can say without a doubt I enjoyed Iron Man 2 -and Iron Man 3 with mentor Tony Stark- more than Spider-man: Homecoming.

dragthemcu:

stardust-rain:

another point that makes me pissed about spidey in cap 3 is that they wasted a potentially good moral confrontation about accountability and compromise; Spider-Man was just there for the sake of being there, when he could have been a point for both sides to self-examine. 

because both Steve and Natasha should have been viciously against that. Natasha, who was a child when they took her to the Red Room, could have asked of Tony “is this how desperate you are? Recruiting child soldiers to fight your war? Is this your version of accountability?” 

Steve, who was so protective of Wanda (”she’s just a kid”) earlier on could have asked him “is this how you want to stop me? Guilt me out of it, by using a boy as your bargaining piece?”. It could have been a time to say that Tony was acting out of desperation and like a self-righteous, self-entitled jerk. It could have been a point for Team Cap to ask, “if we’re willing to fight a child for our cause, how far are willing to go?”, for Team Iron Man to ask “if we have to recruit a child fight for our cause, how are we willing to go?” 

But the whole issue was dropped and no one…said..anything?

The fight that Spider-Man was in could have been gritty and bloody and desperate, could have been both sides trying to subdue instead of attack, could have had a lot more stakes riding on it than it did; it could have been a turning point for Team Cap and Team Iron Man, for both teams to question their leaders and why they’re risking so much for something that started out well, but turned so ugly. It could have made the audience question whether the people they sided with at the start of the movie were right after all. Instead, it was just a light-hearted, quippy fight with characters throwing one-liners for cheap laughs like something Joss Whedon wrote. 

It just felt like Marvel Execs said “PUT SPIDER-MAN IN THIS MOVIE!!” and the Russo’s shrugged and went “aight.”

Plus two members of Team Cap have kids of their own…I don’t this would fly with Ant Man or Hawkeye.

there is no legitimate reason Brooklyn nine nine can’t be in the marvel universe

khirsahle:

stunningepiphanies:

Consider: Jake Peralta and Foggy Nelson having an immediate on sight “IT’S FUCKING *THAT GUY*” reaction when they happen to meet in a courtroom.

Consider: That one time Steve Roger’s brought in a guy he caught mugging some tourists and Amy almost sucked the air out of the entire building while she flipped.

Consider: Rosa really wants to bust a real vigilante but all she’s ever got is some little highschool kid in this handmade red and blue thing. It wasn’t even satisfying. >:c

Consider: Gina has Tony Starks personal number in her phone with the programmed ringtone “Stupid Hoe”. No one can figure out why and honestly, no one really wants to know.

Consider: There’s a new guy at Terry’s gym named Luke. He seems nice, but man its a miracle that he didnt break his foot after those weights fell on him.

@pluckyredhead

commanderoffleets:

shireland:

roseapprentice:

surprisedbylife:

squireofgeekdom:

henrycalvill:

mishasteaparty:

oh my god, that was really violent

     (via starksexual)

BUT NO SERIOUSLY CAN WE TALK FOREVER ABOUT HOW SHE STOLE THE ENDING. Because as soon as you get the idea that she’s alive, you think “oh, she’s going to come in at the last second and land a few punches and give Tony – the hero – enough time to get back on his feet and finish the battle, while she cheers from the side lines.” Just. Like. Every. Other. Movie. And then she FINISHES THE BATTLE. SHE KILLS HIM. 

#also can we talk about how one man in that movie treated Pepper as an Object#as a prize to be won#as a lure for Tony Stark#what happened to that man I wonder?#PEPPER POTTS FUCKING KILLED HIM#PEPPER POTTS IS A GODDESS

Now can we talk about how in the first movie pepper also defeats the final baddie? And how in the second movie she has arrested the one bad guy who didn’t kill himself? Can we talk about how Tony has never actually killed or captured the main bad guy in his own movies?

The closest he gets is Avengers. Because he kills a bunch of Chitauri with a missile. And then the Avengers all get together and capture Loki. You know why? Because Pepper was on a plane somewhere far away. Otherwise she would have done it. I swear.

And at the beginning of Avengers, Tony was all wanting her to stay the night. And she’s just like: Dude, you gotta handle this for a change. I’ll hold your flower.

Could we also talk about how not only unsurprised, unphased, and un-emasculated by this Tony is, but also how he probably gets a metaphorical boner for her when she does it?

Pepper Potts is a boss.