(different!) AO3 meme

meme from @anghraine

Only have 31 fics on AO3, so my answers will be boring.


What’s your first and second most common work ratings?

Almost everything I write I’ve labeled as Gen, though four more recent works I’ve labeled Teen because of slight violence or implied torture or sexual winks- that honestly I’m tempted to go back and label Gen again because I’m not consistent. And frankly, is anything I’ve written and posted to AO3 needing a Teen Rating? (Actually, please answer this. Please)

What’s your most common archive warning? Least common? Do you consider yourself an adventurous writer?

No Archive Warnings Apply and Choose Not to Warn – only once have I used the Major Character Death, and that was for Hold Fast Err Night Comes because the deaths were on-screen and of named Silmarillion characters (and the fic’s narrator). You would (I thought) think that I would have used this warning more, considering the Band of the Red Hand series where the focus is the deaths of each OC narrator in the dungeons of Sauron, but those tend to be off-screen and of my minor OCs and IDK if I should be tagging that.

Me and tag warnings are a fuzzy thing, because I imply deaths and torture and suicidal depression and sex, but yeah, not an adventurous writer when it comes to graphically writing smut or going out there in plots or scenarios. (Not even the original fic stuff I admit strays far from my comfort zone)

How many fics have you written in each relationship category? Is this more accidental, or do you have preferences?

Most are gen with a background canon het pairing that is rarely the focus. (So far the only pairings where I’ve tagged them for more than one fic is Thingol/Melian, Angrod/Edhellos, and Aegnor/Andreth. And theon/Jeyne, but that’s a weird one) There’s the one Indis/Nerdanel fic that can be read as completely gen, so it doesn’t earn the right of f/f. Of the fics that even mention the canon m/f pairings (or canon character and his textual ghost wife), the only ones that really deserve the label of a relationship fic where the focus or plot is driven by said relationship is … that one Thingol/Melian fluff piece, Ingwë/his wife, the one chapter in YBoC about Imin and Iminyë taking codependency to an art-form, Whatcha Gonna Call It? for on-screen Aegnor/Andreth (it’s technically baby!fic), Release from Bondage as a slow burn and the other AU Theon/Jeyne. And the first two and last ones on this list are the ones that are any bit shippy. 

What are your top four fandoms by numbers? Are you still active in any of them, and do you tend to migrate a lot?

30 Silmarillion fics and one that I put in the ASoIaF category though The Hunter-bold and Maiden-brave is basically original fiction. And if I was a little more honest or bold, Release from Bondage belongs in both and Promise You Won’t Forget and its upcoming companion piece are as close to fanfic for Final Fantasy VII as I can get. 

Now stuff I read? some dormant, some very active, drifting in and out. But I write only original universe and Tolkien. 

What are your top four character tags? Does this match how you feel about the characters, or are you puzzled?

My top character tags are Original Characters (6), Original Female Characters (5), Sauron (4), and Easterlings (4). Which is hilarious because it barely reflects just how dominant OCs and mortal OCs at that are in my works – problem with writing full series staring them. And then there’s Sauron, of which he’s only a character in the Ilmarë chapter but he’s tagged in the Tol Sirion fics because I needed at least one canon character tag. And good lawrd he’s no where near my favorite character to write or otherwise except as the villain just off-screen.

What are your top two most used additional tags, and your bottom two? What would happen if you combined all of these into a fic?

Drama in Nargothrond (Which is actually tagged Nargothrond Soap Opera) (6) and War of Wrath (5) versus Threats of Violence and Grief/Mourning at (2) – though i have a bunch of tags I’ve used only once so no fair.

And let’s face it, all of those tags are “Release from Bondage”. I’m writing that fic.

How many WIPs do you have currently running on AO3? Any you don’t plan on finishing?

3 or four. Two are the short story/one shot collections, so I leave them open-ended. Only Of Ingwë Ingweron and Release from Bondage are the real WIP with a definite ending. And tie me to the rack and torture me with corkscrews I swear I’ll finish them. 

T for the fic meme

  • T: Any fandom tropes you can’t stand?

In general while I have exceptions because of nostalgia or they’re very well-written or it’s for a rare-pair or something that soothes that fannish equivalent of ‘I want to eat a bag of cheetos and the greasiest burger you have’… the things I avoid in fanfic, off the top of my head:

Crossover pairings – where the main pairing is the leads of two different canons/shows. Then again this is also my aversion to most pure crossovers where characters from one world interact with another world. I LOVE fusions but hate straight crossovers of world-hoping like the Kingdom Hearts series. Next-gen fics – where the focus is predominantly the cast of OC children of everyone (who tend to fall into cliche roles and retreads of the original)

my NOTPS, obviously. I also tend to avoid stuff labeled Hurt/Comfort (though I think if I examined my tastes, it’s not that I dislike it per-say, in fact the opposite?). There’s only a set amount of angst and dark!fic I can consume- have to be in the right mood and the right character. Fics that ship a teacher-student or parental figure hit my back-button. (This is also one of the reasons why the second Tortall series is my least favorite)

I only have a few slash ships and yep, I’m another person to complain about the overabundance and overwhelming monotonous slash fics about two (predominantly white) dudes and the erasure of female characters (which can tie into a lack of female characters in original canon but doesn’t excuse it). I love minor characters; I can cast no stones – but the phenomenon behind Figwit and such characters I groan. Also, fics that focus on the slashing of the hero and his rival/enemy are in general a big turn-off. Mpreg and most A/B/O I can’t stand, won’t touch RPF with a fifty-foot pole. Harem fic is another do-not-touch. ASoIaF wore away some of the squick from incest ships, but only so that I can admit to no guilt about Túrin/Nienor.

The high school and coffee shop AUs … there needs to be something special about it; I won’t discount all.

I remember the style of crack fic from the early noughties on fanfiction.net. yeah, no longer no thank-you. Song-fic with the lyrics directly inserted between paragraphs has always been a turn-off (that’s a formatting complaint tbh more than anything)

And of course a general standard for grammar, writing style, written in third person…

Now Silmarilion fic? Well if the main characters are any of the Fëanorians or it’s focused solely on a bunch of male Noldor (especially pre-Exile Tirion), if it negatively paints the Valar or Sindar/Elu/Lúthien or villainizes Elwing or infers that Indis was a shallow gold-digger, if the setting is Himring or is yet another Fingon/Maedhros angst love epic, if Maglor is addressed as a positive father-figure to Elros and Elrond, anything Angbang… yeah I have things I don’t touch. I’ve gotten very picky over the ten years. I don’t read LotR/Third Age fic anymore, but I used to.

Year 23

juvelone replied to your post : Plan to write something today. prompt me a number…

23 🙂

As part of my fiendish plot as to write some of my original universe (but actually a Batman AU) fic, according to the timeline, here’s something from when Perry is 23 aka mostly dialogue between not!Batman/Bruce Wayne and not!Robin/Dick Grayson:

“You’re going out to see Alis, aren’t you?” the boy asked from where he perched birdlike on the back on of a chair, poking the seat pillow with a cedar switch until Rupercht turned around to glare at him. The boy grinned when he had Rupercht’s attention and stretched up into a standing position, feet balanced carefully on the top rail. He jabbed the switch out in accusation. “You are, don’t deny it!”

“Sit properly or get down,” Rupercht grumbled.

“Ha!” The boy swung his arms out and leapt from his perch, floating across the hall until he landed with unnatural softness a foot away from where Rupercht stood. The boy beamed up at the older man with hand on a hip and chest sticking out proudly. “I could smell the rose water from way over there, and you wouldn’t be going out to spy on people with an identifying scent. Plus, you’re wearing the powder blue cotte and that fancy metal hip belt with the cats, and you only wear that if you’re trying to look all rich and impressive, but it’s not for any official court appearance or you’d be wearing your pendant chain and the tiny crown thing. Plus I know your schedule, and the council meetings aren’t for two days.”

“You have improved,” Rupercht said. “With the gravitas wood.” He pointed to the piece of treated cedar in the boy’s hand.

The boy wrinkled his nose to the side. “I haven’t had time to really practice. I should be able to float up to the ceiling or all the way across the room. And Da and Ma could do it with only wooden bracelets.”

“Practice in the main hall where you have the two story height and more space, or out in the courtyard.The skill is too useful to neglect, Richard.”

“But dangerous if the wrong person sees me,” said the boy.

Rupercht sighed. “That won’t always be true. And the power is centered in the wood you use, so I can pass the ability off as a priest-blessed charm. The talents manifest too regularly in the noble families, including most of the elector princes, for the Emperor to allow persecution. People are dependent on the items and trusting of the priesthood who use them.”

“Doesn’t stop it,” Richard muttered, and Rupercht wondered how much of that bitterness was his projection. Incantations had been chanted over most of the stone and wood of his large townhouse, and charmed objects could be found throughout the premises, not just hanging from the main altar. Yet no one in the privy council or imperial government knew of his talent.

The boy twirled the piece of reddish orange wood in his fingers. “You’re trying to deflect the conversation. That means you are going out to try and court Alis, and you don’t want the rest of the household to know.”

“Nonsense,” Rupercht snapped.

“You should change your hose, though.”

“What’s wrong with the pair I’m wearing?” Rupercht was alarmed at how defensive and loud his statement came out.

Richard frowned. It made him look like a pouting kitten. “They’re dull, and boring, and make your legs look…well, not skinny, but in the other pair you look better. Alis thinks so too. Wear the gray ones; she likes how your calves look in the gray hose.”

“You talk to Alis about how my legs look?”

“Sure,” Richard said. The wide grin was back, cheeky and infuriating. “What else do we have to talk about? She likes to tell me stories about you, and they’re almost as good as the ones from Elred. Well, nothing’s as good as the bee story.”

“You are never to mention that bee story,” Rupercht demanded.

“Too late,” Richard said, and kicked up into the air once more. He floated for a moment, the piece of cedar stirring the air above him as he slowly rotated his wrist, then descended. With another kick the boy rose in the air a little higher. “I left out the part where you got stung-”

“Don’t repeat embarrassing childhood stories to those outside the family.” His tone was stern enough to stop Richard, though the boy was still smirking and hanging suspended in the air. Out of reach, Rupercht noticed; the boy was smart. “And I don’t need fashion advice from my squire.”

“Sure you do,” Richard said.

“Not from you. You still think parti-colored motley is appropriate attire.”

“Travelling acrobats,” the boy countered with light-hearted outrage, but Rupercht watched the small tells of his face for signs of sorrow at this reminder of his murdered parents and the life he had left. There was none on that sunny mask, but Rupercht knew grief. He stared up at the boy, waiting. With a huff, Richard lowered the piece of wood and began to float like a soap bubble to the floor. “I promise not to tell Elred where you’re going. Which is silly, because he approves of Mistress Alis.”

“I know,” Rupercht said, thinking of the old servant who had raised him since he was nine. “The problem is he wants me to marry soon, and the rest of the court, and produce an heir.”

The obnoxious grin was brighter than before. “And the problem? You have enough money, and if you marry Alis it won’t matter if she steals from you because it’d belong to her anyway and then we’d have a lady of the manor so Elred doesn’t have to handle all the steward’s duties. And then you could open up the country mansion so we’re not always here in the city.”

“I need to be in-town for my duties,” Rupercht said, “both official court rulings and the other work.”

“The night work, you mean,” Richard said, “the breaking into offices and guild halls and spying on people in taverns. All the creepy night stuff.”

“Yes,” Rupercht growled, “and if you want to join me tonight you shall stay quiet.”

The boy whooped with excitement. “Ah, Sire! When you took me in as your squire, I thought I’d be stuck cleaning armour and tending your horses -not that I wasn’t stuck tending them when we travelled in the wagon- but breaking into lords’ warehouses to steal their letters and prove their conspiring against the Throne. It’s that river tariff case, right? You found which House is involved in the smuggling.”

“I have a lead,” he admitted.

“Wait, is that why you’re calling on Alis? For help sneaking into the place?” Blue eyes narrowed at the man in suspicion. “On the list of troubadour-approved courting rituals, I don’t think illegal espionage is there.”

“Richard, I’m the lord in charge of the Emperor’s spies. Even if I don’t tell him I’m his most active agent. I make it legal.”

Chaucer meme

So @anghraine posted this meme just as I was sitting on my ass waffling about starting to write anything for that timeline I wrote up and I figured, what the heck, as good an excuse as any. Man, this took willpower and editing and it still sucks and I’m trying to cram in too much information, but whatever.

Original story fic bits, in seven parts. (as this is some of the montage sequence of angst)

loosely inspired by A Death in the Family. No actual Batman knowledge required. 😉

“Give me back my brother, you knave!”

Gages is a dangerous city for an Imperial spy.  In direct opposition to both Emperor and Primarch, the ruling lord of Gages shelters the followers of the Pure Ones sect, not out of any devotion to that branch of heresy but because while the Pure Ones reject the authority of both secular and ecclesiastical crowns just as they reject the non-spiritual world itself as hopelessly tainted, this refusal to pay homage or taxation does not extend to the Lord of Gages, as the leaders of the Pure Ones remember whose swords and pikes block the valley from Imperial troops.  Elsewhere the Emperor wages what has now been years of intermittent civil war to stamp out the heretics, aided by agents under the secret direction of Lord Rupercht, yet not here at this city in the mountain pass.  As long as the Lord of Gages reaps his tax on the heretics to support his more mercenary motivated rebellion, the Pure Ones have free rein in the city – which means anyone who falls under the suspicion of holding either Imperial sympathies or those supernatural talents the Pure Ones blame on the forest-taint will face the worst of mob cruelty.  Ashar, adopted son of Lord Rupercht, green eyes pre-cognitively reading the twitches and half-startled movements of the frightened woman in this small alley as he pulls the stamped badge of the Imperial bureaucracy from its hidden pocket to try to convince her that he can safely extract her from this cesspit of a city, is both.  Eyes that can read any opponent’s movements in a fight before it is made, a talent that gives the edge needed for a starving boy with too-daring thievery and too-aggressive street brawling to survive until the most fortunate mistake, fail him.  Ashar reads the flash of almost-regret on the blond woman’s face before the blow that bruises the back of his skull and knocks him cold, but he has always been defined by the irony of his too-trusting heart.

Rupercht had argued with Ashar before the boy left for Grenfort in the mountains above Gages, and he knows some of the blame must fall on his shoulders for persisting in thinking of Ashar as a boy, as the skinny thirteen-year-old thief he plucked from the streets of Lutet instead of the nearly eighteen-year-old man his adopted son has grown into.  Rupercht fought with his first squire until Richard was knighted too, the young man chaffing under Rupercht’s rules and caution, and afterwards, which is why Richard is spying alone in the holy capital, currently unreachable – but Richard is safe.  Ashar could not stand the reports of witch-hunts unchecked, had gone off without support and entered the city gates of Gages, been captured.  Rupercht analyzes the report, re-reads the mocking letter from the Lord of Gages, places the badge back on his desk and flips the piece of pewter back and forth, refrains from digging a gouge into the wood with the metal.  In his mind he writes several letters, the first to his cousin Cataline warning of the aid he may require, the second to Richard to call him home, and the third a most distasteful plea.  Rupercht trained his squires as agents of the Imperial Throne, to fight as Rupercht has trained himself, to hunt for treason and ferret out enemies, sneak through the night for evidence and break into the places lawbreakers wished hidden, dangerous work, necessary work, and Rupercht hates himself for allowing his wards to join his crusade.  

As a child Rupercht lost his parents to the Pure Ones, and he will not lose a son.

.   

Mother grabs Ansa’s hand with painful force, pressing thumb against the bones of her palm and squeezing as if she plans to snap the small bones in Ansa’s hand, but it is not calculated, for Mother does not mean to hurt her, Ansa knows, and that is why Ansa calls her ‘Mother’ instead of ‘Aunt Alis’.  She can read the tension in the older woman’s face and around her bright green eyes, the pallor and the stink of dried sweat and fear that sunk into everyone’s flesh when news from Gages reached the manor, and Ansa knows if she speaks up, Mother will soften how she clenches on Ansa’s hand to drag her and her little sister Alienor to the private chapel.  Mother momentarily releases her grip to shove open the chapel doors, glaring at the altar and the suspended votive charms that hang in front of the altar mirror.  Three faces reflect from the mirror and nine charms made of amber beads spelled to shine brighter than the candles and woven in flower-like shapes with thread twisted with a piece of each family member’s hair: one for Ansa, for Ansa’s mother, the one in the center for the man she calls father, another for her little sister Alienor, the newest one for her little brother Tierry who was born a year and half ago, Father’s cousin Cataline with bright red thread so it looks like a pomegranate flower, Elred who raised Father after his parents died in the Summer Riot and counts as family even if he is only a servant, just as the last two are for Ansa’s other brothers Richard and Ashar, neither of whom share blood with Mother or Father but were adopted into the family just as Ansa herself was.  A charm would hang for Ansa’s first mother if they had a piece of her hair to weave through the amber beads that give off that unnatural electric glow and a blessing placed so it would be would known if she still lived, for Aunt Alis worries over her long-separated elder sister, the woman who gave birth to Ansa, that woman Alis has not seen since she was Alienor’s age and whom Ansa ran away from at an even younger age.  If Ansa’s first mother dies there would be no suddenly dulled amber beads to slip untouched from holy knots, no way to tell until rumor or dispatch reached the family, if they are lucky.  “Pray for your brother,” Mother hisses as she kneels before the altar, pulling Ansa and Alienor to kneel beside her, her eyes locked in a death-match with the beaded charm that hangs above the candles, the one twisted with a lock of Ashar’s hair, the only one twirling above the flames and flashing golden sparks of light as it spins while the other eight hang still and bright.

.  

The Emperor learns of Rupercht’s request for the ransom amount for Ashar and summons the lord to the private palace wing in Lutet.  Both men know how the Emperor depends on Lord Rupercht to hold his throne, the tenuous balance of power between them, how the Emperor is afraid of Rupercht’s loyalty, and how he needs Rupercht’s support both monetary and political, especially now that the Emperor’s forces have weakened after settling a territorial dispute against Roul the Wolf.  He brushes aside Rupercht’s earnest statements of meeting any price, of emptying his family’s deep coffers, and brings up oaths of fealty when Rupercht begins to speak of leading armed men towards Gages.

“One of the imperial agents, a man operating under your authority, has been imprisoned by the Lord of Gages, and if you do nothing in retaliation you shall irrevocably diminish all imperial authority, invite full rebellion from all the elector lords,” Rupercht argues, all masks discarded, his desperation naked.

“An agent where he should not have been, one spy among many.”  The emperor’s tone is bland.  “You have a son now,” he says, speaking of Tierry, “a true heir, so it’s not as if you need” – and this is where Rupercht almost commits treason, storms out of the imperial study and punches the wall before he is tempted to hit flesh.

“I have asked, but no one has offered to pay for your ransom,” says the Lord of Gages in false sympathy, laughing and leaning back as Ashar tries to spit on him – not that his mouth has spittle for the gesture. “No use for an incompetent spy, or just a disobedient one?”

Ashar tries to ignore the words as lies, but they worm inside, ache worse than the cracked ribs and broken legs, the ankle that hangs twisted, the fingers crushed after the last escape attempt, as satisfying as it had been to sink fist and teeth into the guards.

When Ashar first woke, after the alley, inside a dungeon stripped and chained, the lord of Gages had laughed over his prize. Ashar hates the sound of that laughter more than any pain.

He thinks of how dry his throat is, how next time he will bite his cheek or tongue until his draws blood, so that there is something to aim.

Next time.

 . 

Alis is praying before the altar, her knees resting on a folded blanket to save them from the stone, but she has touched neither the pillow nor the plate with some olives and a piece of cheese that Elred has placed nearby.  Ashar’s charm spins like a weather-vane, the only illumination in the chapel, for she has moved the other family charms to another altar, and some of the beads have fallen from knots that should not have come undone.  Alis has not had the courage or will to pick the pieces of amber up from where they have fallen and does not dwell on what they signify.  The first months she recited prayers; now she mutters challenges with lips drawn and snarling to those remaining pieces of amber, waiting for the last sparks of electricity to gutter out, the last loops to slip loose, with stubborn hope convincing herself that if she doesn’t take her eyes off those beads they can’t escape.  Until the charm falls, becomes a pile of discarded amber and hair on the altar cloth, inert and cold and dark, her son lives.  Rupercht has never joined his wife or daughters in the chapel to pray until now, but when Alis turns her head in the middle of this long vigil, she watches her husband kneel and then fold down onto the stone floor next to her, arms curled around his head and hands in bright red and white fists as his forehead rests against the cold stone.  Tears fall the short distance from eyes wrenched shut as he finally allows his body to weep.

.

There are rumors from Lutet that Lord Rupercht has gathered something of a small army, with red-haired Cataline, elector prince of Lutet, at his side.  The Lord of Gages knows his own forces are larger, his allies within the holy capital will aide him, and that the Emperor cannot allow this to blossom into a full war and lose the man that keeps a crown on his head.  In the dungeons there is no acknowledgement of this rumor, except for how the Lord of Gages, no longer smiling, unsheathes his dress sword and stares at the body hanging limply from the ceiling.  With a sneer he plunges the sword into the boy’s stomach and yanks, watches how the bright red blood gushes out, splashing on his face, and once the torrent ebbs, he hacks at the wrists below the cuffs until the body crumples in an untidy pile on the squalid floor.  “Toss this out with the rest of the trash,” he says to a guard, “and send a message to Lord Lion when he comes begging for the bones that I refuse.”

Alis watches the charm fall, soft and silent and strangely peaceful.

Outside the wall of Gages, a man stands in wordless impotent rage as his eldest child takes to the sky screaming.

*

knave was not the actual insult

How’d you originally get into the Sims (game) and Silm (book)?

(wracks my brain) The third expansion pack for the original Sims game, Hot Date, came out in 2001, and there was a free demo-like game online that my sisters found that introduced the game to us. I got the first game and that expansion for my birthday and slowly bought each expansion as they came out, then switched over to Sims 2. (Sims 3 didn’t work on our computer and I wasn’t enamored with the look, plus the gameplay was opposite what i wanted as a generational historical period player. The horses from Sims 3 I would kill for). Sims 1 I learned how to make recolors of outfits and faces/hairs, but never meshing. Sims 2 I learned how to use SimPE and Milkshape and got more into the creating end of things than playing.

Sims 1 had a custom content creator who made Silmarillion and LotR themed people/objects. (site is now defunct, but it was called The Simarillion).

I’ve shared the story before (can’t find the link, sorry) but I read The Hobbit the summer before I started 9th grade and started reading FotR before dropping it in aggravation. (Pacing/story logic sense of urgency issues. Plus a “Seinfield is Unfunny” where I was reading so much Fantasy that colored the granddaddy of the genre.) With the movies coming out, i read the books after The Two Towers came out (Eowyn/Faramir shipping was involved. I did not know it was a canon ship.) I wanted more. My library had The Silmarillion and the first Unfinished Tales. My favorite part of the LotR trilogy was those appendices of history in the back of RotK. The Silm was everything I wanted. 

More than ten years later here I am. 

princess tutu!

  • the character i least understand

…oh good question. Maybe Pique? One of those minor characters has to be

  • interactions i enjoyed the most

Ahiru and Rue, Ahiru and Fakir. Mr Cat, just his existence. It’s storytelling and ballet, the interplay or telling fairy tales through ballet and ballet through stories and the interplay of both and authors and characters and Princess Tutu everyone

  • the character who scares me the most

Dosselmeyer. The old men with axes ready to chop off hands to silence writers.

  • the character who is mostly like me

A little bit of Autor, some Hermia, Fakir the failure knight author. I never see myself as a main character.

  • hottest looks character

…Rue

  • one thing i dislike about my fave character

Fakir’s initial impression as abusively controlling guy weren’t wrong. Ahiru was a bit dense

  • one thing i like about my hated character

so much meta about creators – the big bad is an angst writer trying to write his unfinished fic but not end it. this is the ‘relatable character’ stuff that is so important, right? 

  • a quote or scene that haunts me

‘But who is to say that Odile’s love was untrue?’ That and Rue’s dancing to death of despair in the Raven’s heart and Mytho coming for her. Ahiru’s pas de deux at the end of season one feels~ Both dances between her and Fakir. the creepy Coppelia dance of hers in Drosselmeyer’s realm

  • a death that left me indifferent

So Drosselmeyer is what, actually dead dead? Off to something else? It’s weird because he was already dead but hanging on so where’s the closure, if there’s any? You can’t feel anything about his death because it didn’t really happen.

  • a character i wish died but didn’t

uh, none?

  • my ship that never sailed

THE BOY GETS TO FUCK THE DUCK OKAY *cough* What are you talking about? All my ships are fine, Mr Cat got married and had kittens. Happy endings, c’mon. It’s not like this was an anime based on opera.