“Before the beginning,” and/or “the end” ?

I’m at a stalled period on my projects- have more than one in a holding pattern- but let’s go with Of Ingwë :

The intentions of the unfathomable Eru Ilúvatar are inscrutable even to the godly powers that served His purpose in forming this world, giving shape and substance to this planet upon which Eru now focuses, His omnipotent attention concentrating on a finite point, a seemingly inconsequential location. It is the shoreline of a vast saline lake, one whose dimensions and water volume would qualify it for the moniker of inland sea. Eru Ilúvatar sings music into the repetitive sounds of the lapping waves against that muddy shoreline. In that gentle wash, silt is eroded away, and the lake water begins to pull away – as tides will eventually do, when the moon is created. 

Slowly, the new creations are revealed.

Six long inert shapes lie in the mud. There is no moon to illuminate their features, only dim starlight. Bodies they are, the First Children of Eru Ilúvatar, and the Creator of Everything breathes out, and the sound of this exhale awakens the elves.

I cannot BELIEVE they just MADE EGWENE THE AMYRLIN, OUT OF NOWHERE, I AM SO EXCITED TO SEE HER TAKE CONTROL

YES! YOU’RE STARTING THIS ARC!

(Also isn’t Siuan and Leanne the best? And Gareth Bryne)

It’s a long arc, but damn if this political maneuvering and power isn’t WAY more interesting than what Rand and his learn to take control and not be a figurehead and rule – or later on the inevitable Elayne.

Like, no lie, Egwene with the Aiel bored me a bit, but I liked her so much more once she’s Amyrlin-in-Exile. Enjoy the ride 🙂

I just recently reread the Eye of the World and I forgot how fun the whole universe was – the Aes Sedai, Egwene and Nynaeve, the boys and their disasters – like Rand is tiresome, but Mat and Perrin are both very fun and have lots of potential. Augh. I was hoping to have a productive winter break

I can’t say I’m ashamed of myself – and if it weren’t for brand new copies of the Stormlight Archive looking at me, WoT would be the fantasy door-stoppers I’d be re-reading thanks to all these asks.

Rand isn’t so tiresome in Book One, but yes, the universe and the other supporting protags are so good!

10, 11, 12?

10. Most disliked arc? Why?

For the Silmarillion? Despite my avowed disinterest in the fandom hyper-focus on Noldor in Tirion during the time of the Two Trees, which because I no longer activity seek Silmarillion content outside of myself and my small corner, it probably not as popular anymore for all I know … in the Silmarillion it’s the Second Age stuff. Númenor? Drown the place. Eregion and all that Celebrimbor and Annatar story? Snore.

Okay, If I go into DC Comics where there are definite arcs and an absolute MINEFIELD of bad writing and butchered characterizations to choose, well, that excess of riches means that I’ve been trying to avoid reading the known worst-of-the-worst.

I didn’t like most of Morrison’s Batman Incorporated, with the exception of Stephanie’s chapter. Just, ew no. I guess I’m not a Morrison fan. The Court of Owls still sounds stupid; most Illuminati conspiracy theory secret society plots do. Battle for the Cowl is infamously bad.

But hey, Star Wars! There’s one where I read a lot of bad stories until it got to DelRey and Vong and beyond bad. For Clone Wars, when they brought back Maul, I was done. But the Mortis Arc I disliked and don’t understand why it was so loved. But with the Bantam Era EU I waiver between the Jedi Academy trilogy awfulness and Zahn’s technically better written trilogy but I actually hate it more for creating all of Zahn’s pet characters and canonizing that Dark Horse comic arc and Mara Jade’s ‘Grey Jedi’ bullshit, Thrawn the Villain Gary Stu, Karde bad puns more original pet characters propped up by the author, Luuke, etc… There was a book where the main villain was the return of the one-armed wampa-eater yeti thing, but at least it wasn’t treated in fandom as awesome as Zahn’s works.

11. Is there an unpopular character you like that the fandom doesn’t? Why?

I love and defend Elwing and Indis and have since my first read-through, and it pains me that they are unpopular and outright villainized (in ways that often hint at underlying misogyny) in areas of the fandom. I strongly sympathized with them from the get-go. Also Eöl the asshole genius who is on the wrong side of the fandom’s imperialistic sympathies.

Jason Todd has a large and sympathetic fandom nowadays, hooray. Jessica Cruz is definitely popular in the DC fandom, though I wish Simon Baz got more love because I like the two of them together. Plus Simon with his very relateable ‘i don’t really want to live on this terrible earth’ and his white mage girl style powers of healing and seer-prophecy while having that aggressive fighter dude personality is entertaining – let him become the support character deep inside him as he cheers on Jessica and helps her overcome her anxieties to become the tank that protects him. 

12. Is there an unpopular arc that you like that the fandom doesn’t? Why?

Silm fandom- so those two lines about the Bór are the most intriguing part of the Fifth Battle, am I right? Yes?

…Vanyar and Sindar anything.

The fact that the freaking ‘Lay of Leithian’ feels like it isn’t popular in the Simarillion online fandom is just bizarre.

Okay, here’s a great answer: Attack of the Clones is the most enjoyable Star Wars film for me to watch. Romance, Obi Wan being a detective, political machinations but not too much, wide range of locales.

Oh man, I started reading the Wheel of Time books a couple years ago and got bored partway through the fifth one, but I remember them being really fun (as long as I could ignore the frustrating amount of sexism and racism…) I should go back and try to read them all

Yeah, I will say, okay old white dude writing a series when the first book was published in 1990 – but if I compare it to its contemporary/a series with an author of a similar-ish age and background coming only a few years later (A Song of Ice and Fire), then its brand of sexism and racism is way less offensive to me. The fandom denying that Eqwene, Elayne, and Nynaeve weren’t as much a main character as Rand, Matt, and Perrin pissed me off more. Are there problems with the Seanchan? hell yes. But the core world-building where women had the magical and thus also a hefty among of major political and social power was such a matter-of-fact revelation for me as a young reader – it wasn’t artificial inflated sexism that so many fantasy worlds fall prey to. That there’s very few sexual assaults across this sprawling plot (though the double-standard of one is pretty bad), especially nowadays it’s soothing.

The fifth book is especially I’d say that turning point where it starts to become painful to read Rand’s plot line, and there’s definitely the weakest books coming down through 5…10, at least for some of the plot threads. It really is a series where if you like Perrin or Matt and Egwene or Nynaeve or some of the villains, you read for them and for the other side character plots, and you force your way through the others. God knows I was grimacing through Rand’s chapters for almost all of the series.

But also the series is just great for ‘why being the Chosen One sucks, Fun with Prophesies (for the readers to piece together, also in-universe the fun with plot and characterization pressures of characters trying to operate with prophesies)’ and ‘better nuanced world-building, how to do it’

Author asks – multiples of four?

4) favorite character you’ve written

Oooh~ For Silm fic, hard to say. Faron Mithmeren is the one I’ve written the most of, been longest in his head, so he is very easy for me.

8) favorite genre to write

Flashback arcs. 😛  Okay, okay. I like writing fun banter between characters that when using dramatic irony becomes as bittersweet and sad as hell or the opposite. Slowest of slow burn romances with mutual unaddressed pining would be the actual genre – I’m too much of a shipping sap to be a true gen writer.

12) your weaknesses as an author

Giving characters a distinct voice and personality. I feel I have a big problem with all my characters talking and sounding too alike.

I omit words in phrases and clauses I feel are superfluous and want to juggle syntax around for emphasis and speaker distance, wishing my word-flow to follow this very distinct but clear rhythm in my head- a long rolling wave to a pause, then rolling up that looping canter stride again. Of which I know I can blame a smidge of this tendency on the idiosyncrasies of Texan US English dialect, of which I am not a truly native speaker -and yet… 

I don’t write exactly how I speak, (I am terrible in-eloquent though just as rambling), but the distinction for my readers’ clarity is not as strong as it needs be. (ex: ‘needs be’ instead of ‘needs to be’ or ‘should be’. And it’s staying that way. Y’all are getting the accent typed out; have fun deciphering it. Sometime thse typos aren’t typos. Sometimes they are.)

16) are there any characters who haunt you?

Honestly, I’m not sure what sensation this question is really driving towards. Characters whose stories captured me when I read them and then wanted to write about them? Or characters who I want to but haven’t/can’t write for them yet?

Aegnor/Andreth at this intimate but very distant look at their tragedy fits both feelings- theirs are the stories I’m mulled over in my head the longest, and sit unfinished, and yet through the lens of outside characters like Angrod or Baragund I want to write about them.

20) do you write in long sit-down sessions or in little spurts?

Both? I’ll write tiny spurts of only a sentence or two, or when I have a WIP go and add a few sentences and rearrange them. But then once it starts flowing, I’ll write most of a story, if not all if it’s a short one-shot, in one go.

24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story?

Expert, no. Casual research for more facts – all the time. For instance, despite taking several studio art classes in drawing and painting, and introductory printmaking, I never took any pottery classes. Which meant for the “Making Friends” Gaiden story for “Of Ingwë Ingweron”, I had to look up early pottery methods. 

I don’t go into extreme details with my stories, but for instance I knew enough vaguely about Ancient Roman mining thanks to reading Lindsey Davis’s first novel in the Falco Mysteries to know that a quick preview of ancient British-Roman mines would help me map out what the mines would be like and the tasks performed- thus the use of fire-setting.

“Brides of Death” I was pretty clear that the longest part of writing that fic was the Wikipedia trawl through ‘poisonous plants of Western Europe and the Near East’. But was I researching the actual medical effects of ingesting those plants for symptoms and the proper amount to cause death? No and thankfully I’ve yet to be called out for it.

mirandatam

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21, 24, 27?

I mean… I am very biased, because your Brides of Death is one of my favorite works ever and I want more of it

Well, here’s the one of the possible answers for #31. 

Brides of Death does try to claim the throne of personal best, like a flower-crowned empress. Howl is its metaphorical son, and the Cuiviénen fics take all the remaining Stone-Bronze Age fantasy fun, enough that I feel if I tried to do pre-Beleriand Edain fic, I’d be repeating myself. (The real question is who will get the migration centric fic I know I’ll eventually write – Elves on the Great Journey or one of the human groups looking at the Blue Mountains – and if those will be one of the Three Edain Houses or Easterlings)