1)
is there a story you’re holding off on writing for some reason?2)
what work of yours, if any, are you the most embarrassed about existing?3) what order do you write in? front of book to back? chronological? favorite scenes first? something else?
4) favorite character you’ve written
5) character you were most surprised to end up writing
6) something you would go back and change in your writing that it’s too late/complicated to change now
7) when asked, are you embarrassed or enthusiastic to tell people that you write?
8) favorite genre to write
9) what, if anything, do you do for inspiration?
10) write in silence or with background noise? with people or alone?
11) what aspect of your writing do you think has most improved since you started writing?
12) your weaknesses as an author
13) your strengths as an author
14) do you make playlists for your current wips?
15) why did you start writing?
16) are there any characters who haunt you?
17) if you could give your fledgling author self any advice, what would it be?
18) were there any works you read that affected you so much that it influenced your writing style? what were they?
19) when it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.?
20) do you write in long sit-down sessions or in little spurts?
21) what do you think when you read over your older work?
22) are there any subjects that make you uncomfortable to write?
23) any obscure life experiences that you feel have helped your writing?
24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story?
25) copy/paste a few sentences or a short paragraph that you’re particularly proud of
Tag: writing meme
Anonymously tell me something you like about my OCs
When you see this, share 3 lines from a WIP
the last three sentences I wrote today as I’m trying to finish that Ingwë chapter:
Oromë encouraged the audience to reach out and feel the texture of the leaves. They had an aroma that was faint but pleasant, and completely foreign. Once curiosity was satisfied, Oromë methodically refolded the leaves into small intricate star-like shapes and tucked them into his newly-formed belt-pouch.
(different!) AO3 meme
meme from @anghraine
Only have 31 fics on AO3, so my answers will be boring.
What’s your first and second most common work ratings?
Almost everything I write I’ve labeled as Gen, though four more recent works I’ve labeled Teen because of slight violence or implied torture or sexual winks- that honestly I’m tempted to go back and label Gen again because I’m not consistent. And frankly, is anything I’ve written and posted to AO3 needing a Teen Rating? (Actually, please answer this. Please)
What’s your most common archive warning? Least common? Do you consider yourself an adventurous writer?
No Archive Warnings Apply and Choose Not to Warn – only once have I used the Major Character Death, and that was for Hold Fast Err Night Comes because the deaths were on-screen and of named Silmarillion characters (and the fic’s narrator). You would (I thought) think that I would have used this warning more, considering the Band of the Red Hand series where the focus is the deaths of each OC narrator in the dungeons of Sauron, but those tend to be off-screen and of my minor OCs and IDK if I should be tagging that.
Me and tag warnings are a fuzzy thing, because I imply deaths and torture and suicidal depression and sex, but yeah, not an adventurous writer when it comes to graphically writing smut or going out there in plots or scenarios. (Not even the original fic stuff I admit strays far from my comfort zone)
How many fics have you written in each relationship category? Is this more accidental, or do you have preferences?
Most are gen with a background canon het pairing that is rarely the focus. (So far the only pairings where I’ve tagged them for more than one fic is Thingol/Melian, Angrod/Edhellos, and Aegnor/Andreth. And theon/Jeyne, but that’s a weird one) There’s the one Indis/Nerdanel fic that can be read as completely gen, so it doesn’t earn the right of f/f. Of the fics that even mention the canon m/f pairings (or canon character and his textual ghost wife), the only ones that really deserve the label of a relationship fic where the focus or plot is driven by said relationship is … that one Thingol/Melian fluff piece, Ingwë/his wife, the one chapter in YBoC about Imin and Iminyë taking codependency to an art-form, Whatcha Gonna Call It? for on-screen Aegnor/Andreth (it’s technically baby!fic), Release from Bondage as a slow burn and the other AU Theon/Jeyne. And the first two and last ones on this list are the ones that are any bit shippy.
What are your top four fandoms by numbers? Are you still active in any of them, and do you tend to migrate a lot?
30 Silmarillion fics and one that I put in the ASoIaF category though The Hunter-bold and Maiden-brave is basically original fiction. And if I was a little more honest or bold, Release from Bondage belongs in both and Promise You Won’t Forget and its upcoming companion piece are as close to fanfic for Final Fantasy VII as I can get.
Now stuff I read? some dormant, some very active, drifting in and out. But I write only original universe and Tolkien.
What are your top four character tags? Does this match how you feel about the characters, or are you puzzled?
My top character tags are Original Characters (6), Original Female Characters (5), Sauron (4), and Easterlings (4). Which is hilarious because it barely reflects just how dominant OCs and mortal OCs at that are in my works – problem with writing full series staring them. And then there’s Sauron, of which he’s only a character in the Ilmarë chapter but he’s tagged in the Tol Sirion fics because I needed at least one canon character tag. And good lawrd he’s no where near my favorite character to write or otherwise except as the villain just off-screen.
What are your top two most used additional tags, and your bottom two? What would happen if you combined all of these into a fic?
Drama in Nargothrond (Which is actually tagged Nargothrond Soap Opera) (6) and War of Wrath (5) versus Threats of Violence and Grief/Mourning at (2) – though i have a bunch of tags I’ve used only once so no fair.
And let’s face it, all of those tags are “Release from Bondage”. I’m writing that fic.
How many WIPs do you have currently running on AO3? Any you don’t plan on finishing?
3 or four. Two are the short story/one shot collections, so I leave them open-ended. Only Of Ingwë Ingweron and Release from Bondage are the real WIP with a definite ending. And tie me to the rack and torture me with corkscrews I swear I’ll finish them.
Reblog if you are a fanfiction author and would like your readers to put one of your fic titles in your ask + questions about it
1: What inspired you to write the fic this way?
2: What scene did you first put down?
3: What’s your favorite line of narration?
4: What’s your favorite line of dialogue?
5: What part was hardest to write?
6: What makes this fic special or different from all your other fics?
7: Where did the title come from?
8: Did any real people or events inspire any part of it?
9: Were there any alternate versions of this fic?
10: Why did you choose this pairing for this particular story?
11: What do you like best about this fic?
12: What do you like least about this fic?
13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?
14: Is there anything you wanted readers to learn from reading this fic?
15: What did you learn from writing this fic?
Fanfic Ask Meme
A: How did you come up with the title to [insert fic]?
B: Any of your stories inspired by personal experience?
C: What character do you identify with most?
D: Is there a song or a playlist to associate with [insert fic]?
E: If you wrote a sequel to [insert fic], what would it be about?
F: Care to share a favorite hurt/comfort fic?
G: Care to share a favorite crack fic?
H: How would you describe your style?
I: Do you have a guilty pleasure in fic (reading or writing)?
J: Write or describe an alternative ending to [insert fic].
K: What’s the angstiest idea you’ve ever come up with?
L: What’s the weirdest AU you’ve ever come up with?
M: Got any premises on the back burner that you’d care to share?
N: Is there a fic you wish someone else would write (or finish) for you?
O: How do you begin a story–with the plot, or the characters?
P: Are you what George R. R. Martin would call an “architect” or a “gardener”? (How much do you plan in advance, versus letting the story unfold as you go?)
Q: Do you have any discarded scenes/storylines/projects?
R: Are there any writers (fanfic or otherwise) you consider an influence?
S: Any fandom tropes you can’t resist?
T: Any fandom tropes you can’t stand?
U: A pairing you might like to write for, but haven’t tried yet.
V: A secondary (or underrated) character you want to see more of in fic?
W: Do you like more general prompts, or more specific ones?
X: A character you enjoy making suffer.
Y: A character you want to protect.
Z: Major character death–do you ever write/read it? Is there a character whose death you can’t tolerate?
Audience Participation: Fic-Writing Edition
Taken from someone else on another network, deemed too good not to use.
Ask me a question about one of my fics or series. It can be absolutely anything in any project and I will tell you the honest-to-goodness answer (even on the progress/plans for next chapters of current series).
Don’t hold back. Whatever you ask, I’ll answer as truthfully and as completely as possible. You can also ask about my writing as a whole, if you like.
Chaucer meme
So @anghraine posted this meme just as I was sitting on my ass waffling about starting to write anything for that timeline I wrote up and I figured, what the heck, as good an excuse as any. Man, this took willpower and editing and it still sucks and I’m trying to cram in too much information, but whatever.
Original story fic bits, in seven parts. (as this is some of the montage sequence of angst)
loosely inspired by A Death in the Family. No actual Batman knowledge required. 😉
…
“Give me back my brother, you knave!”
…
Gages is a dangerous city for an Imperial spy. In direct opposition to both Emperor and Primarch, the ruling lord of Gages shelters the followers of the Pure Ones sect, not out of any devotion to that branch of heresy but because while the Pure Ones reject the authority of both secular and ecclesiastical crowns just as they reject the non-spiritual world itself as hopelessly tainted, this refusal to pay homage or taxation does not extend to the Lord of Gages, as the leaders of the Pure Ones remember whose swords and pikes block the valley from Imperial troops. Elsewhere the Emperor wages what has now been years of intermittent civil war to stamp out the heretics, aided by agents under the secret direction of Lord Rupercht, yet not here at this city in the mountain pass. As long as the Lord of Gages reaps his tax on the heretics to support his more mercenary motivated rebellion, the Pure Ones have free rein in the city – which means anyone who falls under the suspicion of holding either Imperial sympathies or those supernatural talents the Pure Ones blame on the forest-taint will face the worst of mob cruelty. Ashar, adopted son of Lord Rupercht, green eyes pre-cognitively reading the twitches and half-startled movements of the frightened woman in this small alley as he pulls the stamped badge of the Imperial bureaucracy from its hidden pocket to try to convince her that he can safely extract her from this cesspit of a city, is both. Eyes that can read any opponent’s movements in a fight before it is made, a talent that gives the edge needed for a starving boy with too-daring thievery and too-aggressive street brawling to survive until the most fortunate mistake, fail him. Ashar reads the flash of almost-regret on the blond woman’s face before the blow that bruises the back of his skull and knocks him cold, but he has always been defined by the irony of his too-trusting heart.
Rupercht had argued with Ashar before the boy left for Grenfort in the mountains above Gages, and he knows some of the blame must fall on his shoulders for persisting in thinking of Ashar as a boy, as the skinny thirteen-year-old thief he plucked from the streets of Lutet instead of the nearly eighteen-year-old man his adopted son has grown into. Rupercht fought with his first squire until Richard was knighted too, the young man chaffing under Rupercht’s rules and caution, and afterwards, which is why Richard is spying alone in the holy capital, currently unreachable – but Richard is safe. Ashar could not stand the reports of witch-hunts unchecked, had gone off without support and entered the city gates of Gages, been captured. Rupercht analyzes the report, re-reads the mocking letter from the Lord of Gages, places the badge back on his desk and flips the piece of pewter back and forth, refrains from digging a gouge into the wood with the metal. In his mind he writes several letters, the first to his cousin Cataline warning of the aid he may require, the second to Richard to call him home, and the third a most distasteful plea. Rupercht trained his squires as agents of the Imperial Throne, to fight as Rupercht has trained himself, to hunt for treason and ferret out enemies, sneak through the night for evidence and break into the places lawbreakers wished hidden, dangerous work, necessary work, and Rupercht hates himself for allowing his wards to join his crusade.
As a child Rupercht lost his parents to the Pure Ones, and he will not lose a son.
.
Mother grabs Ansa’s hand with painful force, pressing thumb against the bones of her palm and squeezing as if she plans to snap the small bones in Ansa’s hand, but it is not calculated, for Mother does not mean to hurt her, Ansa knows, and that is why Ansa calls her ‘Mother’ instead of ‘Aunt Alis’. She can read the tension in the older woman’s face and around her bright green eyes, the pallor and the stink of dried sweat and fear that sunk into everyone’s flesh when news from Gages reached the manor, and Ansa knows if she speaks up, Mother will soften how she clenches on Ansa’s hand to drag her and her little sister Alienor to the private chapel. Mother momentarily releases her grip to shove open the chapel doors, glaring at the altar and the suspended votive charms that hang in front of the altar mirror. Three faces reflect from the mirror and nine charms made of amber beads spelled to shine brighter than the candles and woven in flower-like shapes with thread twisted with a piece of each family member’s hair: one for Ansa, for Ansa’s mother, the one in the center for the man she calls father, another for her little sister Alienor, the newest one for her little brother Tierry who was born a year and half ago, Father’s cousin Cataline with bright red thread so it looks like a pomegranate flower, Elred who raised Father after his parents died in the Summer Riot and counts as family even if he is only a servant, just as the last two are for Ansa’s other brothers Richard and Ashar, neither of whom share blood with Mother or Father but were adopted into the family just as Ansa herself was. A charm would hang for Ansa’s first mother if they had a piece of her hair to weave through the amber beads that give off that unnatural electric glow and a blessing placed so it would be would known if she still lived, for Aunt Alis worries over her long-separated elder sister, the woman who gave birth to Ansa, that woman Alis has not seen since she was Alienor’s age and whom Ansa ran away from at an even younger age. If Ansa’s first mother dies there would be no suddenly dulled amber beads to slip untouched from holy knots, no way to tell until rumor or dispatch reached the family, if they are lucky. “Pray for your brother,” Mother hisses as she kneels before the altar, pulling Ansa and Alienor to kneel beside her, her eyes locked in a death-match with the beaded charm that hangs above the candles, the one twisted with a lock of Ashar’s hair, the only one twirling above the flames and flashing golden sparks of light as it spins while the other eight hang still and bright.
.
The Emperor learns of Rupercht’s request for the ransom amount for Ashar and summons the lord to the private palace wing in Lutet. Both men know how the Emperor depends on Lord Rupercht to hold his throne, the tenuous balance of power between them, how the Emperor is afraid of Rupercht’s loyalty, and how he needs Rupercht’s support both monetary and political, especially now that the Emperor’s forces have weakened after settling a territorial dispute against Roul the Wolf. He brushes aside Rupercht’s earnest statements of meeting any price, of emptying his family’s deep coffers, and brings up oaths of fealty when Rupercht begins to speak of leading armed men towards Gages.
“One of the imperial agents, a man operating under your authority, has been imprisoned by the Lord of Gages, and if you do nothing in retaliation you shall irrevocably diminish all imperial authority, invite full rebellion from all the elector lords,” Rupercht argues, all masks discarded, his desperation naked.
“An agent where he should not have been, one spy among many.” The emperor’s tone is bland. “You have a son now,” he says, speaking of Tierry, “a true heir, so it’s not as if you need” – and this is where Rupercht almost commits treason, storms out of the imperial study and punches the wall before he is tempted to hit flesh.
.
“I have asked, but no one has offered to pay for your ransom,” says the Lord of Gages in false sympathy, laughing and leaning back as Ashar tries to spit on him – not that his mouth has spittle for the gesture. “No use for an incompetent spy, or just a disobedient one?”
Ashar tries to ignore the words as lies, but they worm inside, ache worse than the cracked ribs and broken legs, the ankle that hangs twisted, the fingers crushed after the last escape attempt, as satisfying as it had been to sink fist and teeth into the guards.
When Ashar first woke, after the alley, inside a dungeon stripped and chained, the lord of Gages had laughed over his prize. Ashar hates the sound of that laughter more than any pain.
He thinks of how dry his throat is, how next time he will bite his cheek or tongue until his draws blood, so that there is something to aim.
Next time.
.
Alis is praying before the altar, her knees resting on a folded blanket to save them from the stone, but she has touched neither the pillow nor the plate with some olives and a piece of cheese that Elred has placed nearby. Ashar’s charm spins like a weather-vane, the only illumination in the chapel, for she has moved the other family charms to another altar, and some of the beads have fallen from knots that should not have come undone. Alis has not had the courage or will to pick the pieces of amber up from where they have fallen and does not dwell on what they signify. The first months she recited prayers; now she mutters challenges with lips drawn and snarling to those remaining pieces of amber, waiting for the last sparks of electricity to gutter out, the last loops to slip loose, with stubborn hope convincing herself that if she doesn’t take her eyes off those beads they can’t escape. Until the charm falls, becomes a pile of discarded amber and hair on the altar cloth, inert and cold and dark, her son lives. Rupercht has never joined his wife or daughters in the chapel to pray until now, but when Alis turns her head in the middle of this long vigil, she watches her husband kneel and then fold down onto the stone floor next to her, arms curled around his head and hands in bright red and white fists as his forehead rests against the cold stone. Tears fall the short distance from eyes wrenched shut as he finally allows his body to weep.
.
There are rumors from Lutet that Lord Rupercht has gathered something of a small army, with red-haired Cataline, elector prince of Lutet, at his side. The Lord of Gages knows his own forces are larger, his allies within the holy capital will aide him, and that the Emperor cannot allow this to blossom into a full war and lose the man that keeps a crown on his head. In the dungeons there is no acknowledgement of this rumor, except for how the Lord of Gages, no longer smiling, unsheathes his dress sword and stares at the body hanging limply from the ceiling. With a sneer he plunges the sword into the boy’s stomach and yanks, watches how the bright red blood gushes out, splashing on his face, and once the torrent ebbs, he hacks at the wrists below the cuffs until the body crumples in an untidy pile on the squalid floor. “Toss this out with the rest of the trash,” he says to a guard, “and send a message to Lord Lion when he comes begging for the bones that I refuse.”
Alis watches the charm fall, soft and silent and strangely peaceful.
Outside the wall of Gages, a man stands in wordless impotent rage as his eldest child takes to the sky screaming.
…
*
knave was not the actual insult
Audience Participation: Fic-Writing Edition
Taken from someone else on another network, deemed too good not to use.
Ask me a question about one of my fics or series. It can be absolutely anything in any project and I will tell you the honest-to-goodness answer (even on the progress/plans for next chapters of current series).
Don’t hold back. Whatever you ask, I’ll answer as truthfully and as completely as possible. You can also ask about my writing as a whole, if you like.
Reblog if you are a fanfiction author and would like your readers to put one of your fic titles in your ask + questions about it
1: What inspired you to write the fic this way?
2: What scene did you first put down?
3: What’s your favorite line of narration?
4: What’s your favorite line of dialogue?
5: What part was hardest to write?
6: What makes this fic special or different from all your other fics?
7: Where did the title come from?
8: Did any real people or events inspire any part of it?
9: Were there any alternate versions of this fic?
10: Why did you choose this pairing for this particular story?
11: What do you like best about this fic?
12: What do you like least about this fic?
13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?
14: Is there anything you wanted readers to learn from reading this fic?
15: What did you learn from writing this fic?